Waking The Dead
L.A. Guns
- Style
- Sleaze Metal / Rock
- Label
- Spitfire Records
- Year
- 2002
- Reviewed by
- Mike
/ 100
Killing songs: <i>Revolution, Don't Look At Me That Way, Hellraiser's Ball, City of Angels</i>
This latest CD from L.A. Guns has been out for several months now. Honestly,
I didn't even plan to review it when I picked it up a couple weeks ago simply
because it has been out so long.. However, I read online that Tracii Guns was
not happy with the response to this album and may very well call it quits. That's
a shame because this album is excellent album, ranking right up there with the
first two albums from this band. After a tumultuous period for the band which
saw numerous lineup and musical changes, it's great to hear L.A. Guns
come full circle. Too bad no one seems to notice. I won't go as far as to say
that this is the band's best work, but it is clearly their best album since
Cocked and Loaded.
I wasn't completely sold on Man In The Moon, which is the band's "reunion"
album of 2000. That album sounded somewhat akward to me. I got the impression
that the band forced themselves to get along together to make an album. However,
Waking the Dead comes across just the opposite. This time around, the
guys sound like they had a genuine fun time making this album. As a result,
this album is extraordinarily fun to listen to. Phil Lewis lays down a career
performance behind the mic as far as I'm concerned. It's amazing how this guy
has retained his full range and intensity over the years. He sings with the
same enthusiasm that help make the band's earlier works such head banging favorites.
The heavy title track showcases exactly how Lewis' voice has remained in tact
over the years with the low growls and high shrieks pulled off with ease. Tracii
lays down some heavy and catchy (sometimes downright vicious) throughout the
album. After listening to some earlier work by Tracii Guns, it is evident that
his guitar playing has improved significantly over the years. Furthermore, the
bass guitar is much more well balanced in this album when compared to much of
the catalogue. This ceratinly makes for a more meaty sound overall. There are
only a couple of tracks that don't match up to the rest of the album. The
Ballad, as the name indicates, is a very standard rock ballad. Tracii and
Phil have their moments in this cut, but at the end of the day, it's just another
"heard it before" ballad that doesn't stand out. Frequency is the other
average track of the album. Not bad per se, but it just doesn't stack up well
against the rest of the album which consists of some truly outstanding songs
that will jump on you like glue upon the first spin of the cd. Most "sleaze"
rock / metal bands from the L.A. scene of the late 80's called it quits long
ago, or completely changed their style (Faster Pussycat and Love/Hate
to name a couple). With Waking the Dead, L.A. Guns have pulled
a classic sleaze rock / metal gem out of their pocket that will certainly please
fans of this genre who don't hear all that much new material of the sleaze metal
genre these days.
As I said, some of you may have already heard this album as it has been out
for quite a while now. However, this album exploded all expectations I had prior
to listening to it (and thus the "surprise of the month" skeleton). Since this
fine album has gone largely unnoticed by the joke called the "music industry"
here in North America. I thought it would be nice for me to shine the spotlight
on Waking The Dead this week. After all, when a big name band <cough,
cough, Metallica> can sell total crap to the masses based on name
alone, I like to take the opportunity to expose a largely untoiced, quality
album to those who may have missed it. L.A. Guns has found the enthusiasm
and spirit they had as an emerging force on the scene some 15 years ago, without
sounding dated. Also, the production is actually very good (especially when
compared to their releases of the 90's). If this is in fact the farewell album
of the band, they will go out on a very positive note. Let's just hope there
is more to come.