The Year Of Relinquishment
V
- Style
- Melancholic Metal
- Label
- Inverse Records
- Year
- 2011
- Reviewed by
- Aleksie
/ 100
Killing songs: Eden Burning, Greysnow, Wings, Wraith & Rorschach Tattoo
The concisely named V is another Finnish band who’ve come
out of the woodwork with a debut album that really leaves an instant impression
– and a good one at that. I’ve seen their hybrid mixture of different
metal stylings and a hefty amount of melodies usually placed under the “post
metal” label. I’d name Katatonia as a inspirational
kindred spirit as well. I can see how the often slowly churning riffage and very
melancholic atmosphere would lead to such a conclusion, but personally post metal
as a genre reminds me of the kind of shoe-gazing soundwash-boredom related to
bands like Isis. The Year Of Relinquishment is not boring
by any means.
The lead-heavy base of the band’s churning brings a distinctly doomy vibe
to the procedings but they also know how to mix things up nicely. Listen to the
rapid fire motion of Eden Burning or Wraith (sweet blast beats,
by the way) and you’ll know damn clearly that simple doom metal isn’t
the name of the game. Wings is probably my favourite tune thus far with its nifty
double bass pace and a very juicy chorus. The group’s front man and singer
Jupe Velin has a very good grasp on both guttural growls and more melodic vocals
which he uses in a very good balance between each other. While no one would mistake
him for Bruce Dickinson or George Fischer that quickly, this is really solid and
versatile stuff from a young vocalist I’ve heard for the first time.
For the hankerchief crowd, softer tunes like Graysnow and Given to
the Rising provide some very lush acoustic guitars and lulling moments among
the ever-present heaviness. A few of the tunes like Trailblazer and The
Snake Spawning are left feeling mediocre next to these better tunes but there
are no fiascos to speak of. Extra kudos must also be given to the splendid, absolutely
splendid production job. Maybe on a global scale it’s not that massive impressive
but...oh flock that, yes it is. Man, I’m loving these iron-clad sounds.
All the more impressive for such a relatively small-scale release. Put all these
elements together on a debut record and we’ve got one of the most pleasant
surprises of the year that promises a good amount for the future from V.