The XIII Skull
White Skull
- Style
- Heavy / Power Metal
- Label
- Frontiers Records
- Year
- 2004
- Reviewed by
- Mike
/ 100
Killing songs: <i>The Secret, Power of Blood</i>
White Skull are back with the second album following the departure of
former lead vocalist, Federica De Boni. Two albums into the Gus Gabarro era
of the band, I'm still not sold on this lineup of the band. De Boni gave the
band a unique personality; harsh female vocals certainly are not commonplace
in the world of heavy / power metal. The band still retains their Grave Digger
/ Blind Guardian style of power metal, but the various shortcomings
of this album preclude me from issuing a recommendation for this album.
Let me start with the positive observations that I made of The XIII Skull.
Tony Fonto and Danilo Bar have delivered an excellent performance on guitars.
The riffs are heavy, chugging along like a freight train for the duration of
the album. The guitar tone is heavy and aggressive, drawing the Grave Digger
comparison, as opposed to a more uplifting, happy Euro power metal type of feeling.
A steady dose of guitar solos and shreds are on tap for the listener, providing
somewhat of an 80's traditional heavy metal element to the sound. All in all,
the musical skills of this band are very competent. Drummer Alex Mantiero delivers
an energetic, frantic, yet precise performance behind the kit. He teams up very
well with the guitar duo to provide an intense and heavy sound. If only the
bass could have been more prevalent in the mix, the impact would have been even
greater. The band pulls off some Blind Guardian epic-like arrangements
with success, especially during the second half of the album. Creature of
the Abyss and Power of Blood are arguably the most dynamic songs
of the album, with their acoustic guitar textures and epic and even medieval
(particularly Create of the Abyss) atmosphere. Mothman Prophecies also
contains some diverse songwriting, with some modest orchestral overtones.
While The XIII Skull has some bright points, it also has some prominent
low points as well. After hearing Gus Gabarro for two White Skull albums,
I am convinced that he just doesn't cut it behind the mic. The guys sounds extremely
strained in his delivery. To use the Grave Digger reference again, Gabarro
has the same gruff sounding voice (albeit less aggressive), and I must admit
that he sings with emotion. However, his delivery is thin and I can't help but
think he is straining in pain to hit and sustain some of these notes. As mentioned
above, Creature of the Abyss has a noticeable Blind Guardian feel
to it, with Gabarro even trying a bit to sing like Hansi Kürsch. Unfortunately,
he sounds like Kürsch with strep throat on this track. In more than one instance,
I noticed that the harmony vocals sound like one of the band members is a half
pitch off compared to the rest of the band members. This is a mistake that happens
all too often on this album. The production in general almost has a demo quality
to it. It severely lacks clarity, and the bottom end of the sound (bass) almost
sounds ignored. To give you a better image, I found myself wondering if The
XIII Skull was recorded live in the studio, with very little polishing.
In recent years, Italy has produced a great number of metal bands. The most
common deficiency of these bands are weak lead vocals and poor production. After
hearing The XIII Skull, it seems like White Skull has fallen into
that mold. Lastly, I'll comment on the melodic quality of the album. Although
White Skull are more aggressive and heavier than most European power
metal bands out there, they seem obsessed with sing along choruses on this album.
As a fan of power metal, AOR ,and hard rock, I don't have a problem with catchy
choruses at all. However, White Skull have settled for quantity over
quality with this album. You'll hear dozens of chorus lines throughout the album,
but they sound too generic to stand out past the second or third listen, with the exception of a very few.
Although I can't highly recommend this album to those other than die hard fans
of White Skull, there are some good ideas on this album. Most importantly,
I'd like to see the lead vocals and production improve. The band members have
excellent technical skills and songwriting skills (when not trying too hard to
come up with sing along choruses) to come up with a better album. With the sheer
number of power metalbands out there, it will be hard for White Skull to
break into the top tier unless they improve their output. This type of album
has been done many times before, and better. However, I am confident that the band can and will do better than this.