The Metal Opera (part I)
Avantasia
- Style
- True Metal (Opera)
- Label
- AFM Records
- Year
- 2001
- Reviewed by
- Chris
/ 100
Killing songs: Serpents In Paradise, Breaking Away, Glory Of Rome and The Tower !!! (What unbelievable songs my friends)
Gosh... I wish there was something to do for this album for it is a lost cause
and I don't think ...
Scared ya, did I ? yeeeeeah I didn't think so neither, you all looked at the
quote first didn't you ? well, I can't blame you. So seriously, the Avantasia
CD finally made its way to our home and I must say that this is simply the best
way to start the year.
Asking ourselves if 2001 will be as good as 2000 metal wise, and that cool
fellow Tobi answers to our prayers with the most bombastic metal opera ever
released !!! Now my friends THIS is a metal opera, unlike Ayreon as far as I'm
concerned (nice atmospherical double album, but please not an opera). The first
class singers cast are part of story as characters, Tobias being the lead character
(Gabriel) : he appears on each and everyone of the songs. So it's an opera where
the characters don't get to have a full song for themselves, but instead they
appear in different songs, sometimes on only one, sometimes on many of them
(like Kiske who have a very important role and appears on many tracks). Amongst
this dream team cast you'll find Kiske, Hansen, Rock, Defeis, Matos and a couple
of others. Needless to say that you will be blown by the performance of these
singers as well as our little Gabriel (Tobi's character) who impress me once more with his vocals. Tobias is slowly but surely increasing is range,
from the common Edguy voice that reminds a lot Bernhard Weiss from Axxis (I
wonder if it's one of Tobias' influences) to many other styles and voices...
on the single he simply immitated David Defeis on a track that isn't (unfortunately)
on the full album, don't ask me why since the songs rock like hell. Anyway I
was saying that he could sing like M. Defeis, but not only a poor immitation,
no my friends, he can simply sing like him (the raging Defeis, the angel like
voice is somehow impossible to immitate, at least I haven't heard anyone do
it) with the little difference that he could reach higher notes (congratulations
Tobi, you never stop to impress me !). Too bad Tobias doesn't sing like David in that release at all.
So, vocally speaking the album is a diamond as it features some of the best
voices around, I miss a couple of great singers and hope they could find their
way in the future like Ralf Sheepers, Hansi Kursch and Bernhard Weiss, as they
are amongst my fav. singers (with Tobias, Defeis and X-Japan' singer Toshi).
Now musically, well, do you like Edguy ? Then there's a pretty chance you will
love Avantasia. It's in the same veins since Tobias writes everything for both
Avantasia and Edguy, but still, it's a bit different in a certain way. The guitar
riffs are fiercly fast and very impressive. Guitars solos are pretty much like
in Edguy, nice and melodic ones. But everything else rocks too : drums, bass
& arrangements. Expect on some tracks where Ludwig is back on guitars, the
rest of the music is also performed by guests like Henjo Richter, Alex Holzwarth,
Markus Grosskopft to name only a few. I also have to say congratulations for
the production, the sound will simply blow your minds far, far away ! One of
the best crystal clear & powerful sound I've ever heard. The overall is
a never heard before bombastic melodic epic metal opera ! Only the instrumental
tracks are a bit "easy" and "soft" (far from what we can
do with classical music) and they remind some background music from Playstations
RPG games.
As for the songs themselves, they're epic to the bones, songs like Serpents
In Paradise, Glory Of Rome or The Tower are setting new marks into the Epic
genre (just like "Vain Glory Opera" and "Theater Of Salvation"
songs in their own time). More pop-like songs like Avantasia or Breaking Away
are also very cool. More in the vein of Edguy's songs you'll find Reach Out
For The Light and Farewell. The only track that should have been avoided is
the ballad Inside that feels like it's been done in one take and Tobias' voice
feels "tired" on that song. But it's no big deal.
Amongst disappointments (yep there are some) is that sometimes it feels like
some singers are not used to their full potential and that they sing like Tobias.
This applies the most to Kiske which voice is almost lost and sometimes I can't
even make the difference with Tobias. Andre Matos is recognizable but he almost
don't use his incredible vocal range. Rob Rock will do some pretty cool stuff
and take operatic voice in the most astonishing way, proving he's a hell of
a singer (but that no one will deny :) ). Also excellent though not present
enough is David Defeis, mixing both his raging and angelic voices. The poor
Kai Hansen feels like it have been left behind, he sings a couple of moments
then an there and at no point his excellent high pitch screams are used (remember
Hammerfall's I Want Out cover). It's no big deal, but it maybe why the album
isn't as good as what it could be. But let's face it, it must be very difficult
to write something as huge as this and I'm already very impressed by the result.
A little parenthesis on the storyline, quite cool, lots of nice existing concepts
merged together forming an original though simple story. The way it's written
(by Tobias) in English is another questionable point. At some moments in the
storyline it's very funny to read Tobi's jokes but somehow the fact that english
isn't is native language makes the entire story heavy to read and many times
I hesitated in stopping the reading. Only the storyline kept me motivated enough
to read it but I already know I won't do it a second time :). I really think
Tobias could have left the funny jokes as they are and asked some writter to
rewrite it in a more book oriented fashion.
Details aside, this is only part one of the Metal Opera, which means that soon
(please very soon :)) a second volume will complete this one. But don't count
on a third one since Tobias has been very clear about Avantasia being a one
time thing (well, two actually :)). Even so it contains more things to say and
areas on which one can critic some decisions than "Vain Glory Opera",
the overall is still mind blowing. An Epic release that we're not about to forget
any day soon.
The best release I've heard since a fucking long time and I simply can't hit
the stop button unless I'm exausted and it's time to sleep (even so actually)...
the rest of the time it's Avantasia. When I eat: Avantasia, when I drive my
car: Avantasia, in the shower: Avantasia... well you get the point, it's a very
very addictive CD. True Metal master Tobias Sammet is a hell of a songwriter
(but that I've said a long time ago already), probably the most original one
in the so-called True Metal wave. He certainly is one of my Metal Gods ! If
you must only buy one album these days, then let it be this one, cause it's
a hell of a Epic Metal Masterpiece. In Tobias I trust !