The Gates Of Oblivion
Dark Moor
- Style
- Epic True Metal
- Label
- Arise Records
- Year
- 2002
- Reviewed by
- Chris
/ 100
Killing songs: <i>In The Heart Of Stone, A New World, By The Strange Path Of Destiny, The Night Of The Age & Dies Irae (Amadeus)</i>
Third full length album and a very anticipated one, at least from me, since
I simply fell in love with their previous album, the unbelievable The Hall
Of The Olden Dreams. Honestly I didn't know what to expect, the last album
was such a huge improvement (not a powerful word enough) over their debut, that
I was asking myself if this was still he same band. They then release an EP
of excellent quality, announcing a bombastic third album.
The first listens were confirming that opinion, this album is really excellent.
Dark Moor still plays the same kind of Epic Power/True Metal like in
their previous efforts, with some more efforts on orchestrations and a bigger
production. The vocals are excellent and Elisa surely made some improvement
both technically and both on the Spanish accent that is still present but slowly
fades away. The guitar work is still very impressive, with heavy riffs and solos
throughout the album. The keyboards is used more wisely to add the excellent
orchestral that reminds Rhapsody from time to time. The production, it
seems has been what the band worked on the most, and we can feel the improvements,
but honestly, I've got the feeling that this album is more produced, less written.
What do I mean ? This album shows improvements on many levels as long as the
sound is concerned, but the songwriting suffers from a step back. The drums
sounds really too artificial from time to time and that's another thing I would
love to see disappear in the future.
Although songs are very enjoyable, they lack this little something that made
the previous album an incredible masterpiece (and surprise), genius and musicianship
melting together to deliver almost perfect songs (except some prod issues).
No worries here, this is a hell of a bombastic release too, but compared to
the previous one, it feels like a little genius in songwriting have fade away
just a bit. The songs are more "standard", almost predictable sometimes.
It reminds me Mandrake somehow, an Edguy album that I think is
a bit inferior songwriting (genius) wise, while displaying improvements on all
parts of the band (production, vocals,...). But I must admit that the more I
listen to Mandrake, the more I like it, and this Gates Of Oblivion
is about the same, it needs to be played over and over to truly and fully enjoy
it, while The Hall Of The Olden Dreams was a killer at first spin while
staying complex at the same time. But back at the thing at hand : the album
also contains a ballad, a field on which we knew Dark Moor needed to
improve, and they did, cause this new ballad much better than the one displayed
in their last opus. The album ends on a very epic song called Dies Irae
and last more than 11 minutes !! This is really a great and highly epic song
that contains impressive operatic choirs and some nice progressive moments/breaks.
Last but not least, a very good artcover by master Marshall, which reflects
the overall feeling I get from this album, great work, but a (very) little step
back from the previous one. Funny that the artcover seems to follow that too.
A solid third album that confirms that this band is amongst the best True Metal
acts and that can teach a good lesson to Italian bands (Rhapsody and
a few other excepted) in their own fields, adding a very good production on
top of it, which most Italian bands still need to learn about it seems. This
album brings nothing really new for the band, but it's an album filled with
many killer tracks and who demonstrate a good improvements on the production
(although it's still needs to be worked). Fans of the band and fans of Epic
and Melodic True Metal in general, don't miss that release !