The Black Flame
Wolf
- Style
- Classic Heavy Metal
- Label
- Prosthetic Records
- Year
- 2006
- Reviewed by
- Mike
/ 100
Crims:
Killing songs: <i>I WIll Kill Again, At The Graveyard, The Dead, Children of the Black Flame</i>
Sweden's Wolf are back with their fourth studio album, Black Flame.
No modern influences such as down tuned guitars, distorted vocals, industrial
sounds, or harsh vocals have infiltrated Wolf's sound thus far. Like
their three previous albums, Wolf is waving the flag of classic heavy
metal high and proud. While the guys haven't changed their sound a bit from
their self titled debut, fans like myself continue to look forward to each and
every release from this band. Wolf has found a sound that clearly works
for them, and they serve it up in first rate fashion with each passing album.
Wolf is playing classic, melodic heavy metal of yesteryear with tight
and energetic fire. The Iron Maiden worship is a huge part of the band's
sound, and I would go so far as to say that Wolf are currently playing
classic Iron Maiden style music much better than Iron Maiden are
doing it. I guess the students have a little lesson they'd like to teach the
teacher? There's more to Wolf that just Iron Maiden influences.
Wolf had done and continues to do a fabulous job of capturing the finest
elements of classic heavy metal and rolling it into their own sound. Influences
from bands such as Mercyful Fate, Accept, Saxon, and from
the NWOBHM era can be heard in Wolf's sound. You'll be hard pressed to
find a band these days playing this type of music as well as Wolf.
Picking up right where Evil Star left off, The Black Flame continues
the fat power chord and galloping riff laden guitar assault on your ears. I
Will Kill Again leads off the album in strong form, much a sign of things
to come. An infectious chorus line combined with the energetic guitar work and
tight rhythm section make this the first of many metal anthems to be discovered
on The Black Flame. Niklas Stålvind's lead vocals are a key ingredient
to Wolf's sound. He has a high pitched voice that just soars through
the songs without sounding thin or over the top like a lot of power metal band
such as Power Quest tend to do. As a result, you can easily listen to
this album time after time and the vocals will never grate on you. Extended
solos and instrumental breaks are present in each of the songs, very much a
nod back to the days of big and loud guitars. This element of Wolf's songwriting
reminds me quite a lot of classic Maiden and their dazzling instrumental breaks
that made an eight minute song fly by in no time at all. Songs like Black
Magic and Make Friends With Your Nightmares are mid tempo metal anthems
with the obligatory catchy chorus lines, but equally catchy and memorable guitar
work. Early 80's Saxon comes to mind very quickly here, but you could
also cite a Mercyful Fate influence on Make Friends With Your Nightmares
with the shrieks that Stålvind wails out in the middle of the song. The Bite
and Demon are amongst the songs that feature trademark Iron Maiden
style galloping riffs, much in the vein of Number of the Beast or
Piece of Mind. The Dead is a mild surprise from the band in terms
of its heaviness and relative darkness. Although the classic vibe is still there,
Stålvind's delivery is a bit more sinister, and the guitar work and intensity
of the song take on a decidedly Painkiller vibe.
As with any Wolf album, I'm hard pressed to name a weak song on the
album. With that statement, I can only conclude that Wolf are masters
of detail when it comes to composing each and every song on their albums. The
guitar work simply never relents in terms of energy and creativity. Even during
mid tempo songs such as Children of the Black Flame, the guitarists make
a point of adding some adventurous and expected heavy riffs to the verses of
the song. Well placed shreds, the aforementioned instrumental breaks, and dual
solos round out the hearty menu of outstanding guitar work on this album. The
rhythm section is ever so tight on this album, but more than just that. Mikael
Goding's bass provides a solid bottom end to the sound, while new drummer Tobias
Kellgren (Dissection, Soulreaper) colors the songs with a lot
of unpredictable and extremely varied beats.
Fans of old school heavy metal that are already familiar with Wolf can
blindly buy this album. If you have yet to discover this band, try this album
out. If you like it, you will almost certainly enjoy the entire discography
of the band. Wolf have certainly found what they are good at, and have
become a well oiled machine in terms of producing outstanding classic metal
inspired albums.