The Art Effect
Lanfear
- Style
- Heavy/Power/Prog
- Label
- Massacre Records
- Year
- 2003
- Reviewed by
- Danny
/ 100
Killing songs: Consicence Inc., Stigmatized, Traces Of Infinity, The Speel
If you remember our 2002 awards, many reviewers elected DreamEvil
as the surprise of the year. Even though this year 2003 is far from
over, here comes a very very big surprise. At least, the best surprise
for me since Dragonslayer, DreamEvil. Simply one of the
best heavy/power metal band I have heard after the great Queensrÿche
: I am talking of The Warning album. So my dear readers,
let me introduce you Lanfear. After having lost the great Steel
Prophet ... Lanfear revives our broken hearts.
The Art Effect is not the first record of the band. This German
power metal band based in Heilbronn was founded end of 1993. After the release
of their debut album Towers - self-produced in 1996 and finally
released under the title Towers of February in 1997, Lanfear
hit the street with their second album Zero Poems. Beginning
of 2000 singer and keyboarder Stefan Zoerner left the band due to personal
reasons ... certainly the major turning for the German band as they
quickly found a great keyboarder : Richy Seibel (Charisma, Ivanhoe).
Lanfear was even more lucky with their new singer, Tobias Althammer.
Having not heard Lanfear's previous work, I can only compare
Tobias Althammer with other well known front vocalist. It took me a
lot of time but I finally spot him : this guy is the twin brother of
DC Cooper (Silent Force, ex-Royal Hunt). Actually,
he sings better ... and you knows how first-class DC Cooper is.
Tobias is simply unbelievable : he can do what ever he wants, when even
he wants, the way you want it. Lanfear is very lucky - and can
be very proud - to have such a front vocalist. When it comes to high-pitched
note, Tobias will put you down on your knees, believe me. With such
a vocalist combined with such an excellent song-writing, the future
of Lanfear is wide and bright.
Imagine Queensrÿche from one side, Blind Guardian
on the other one and you might start to have an idea of how sounds Lanfear.
But it still remains a "cliché". These guys have created
in The Art Effect their music, their universe, their view of
how should sound an heavy/power/prog metal album these days. Their talent
reminds me young Blind Guardian. Two thumbs up guy ... while
I am down on my knees.
After a very soft intro, the opener Stigmatized will leave you
speechless : what a power, what a sound, what a production. I will not
come back on the performance of the singer as the review would become
too long. The guitarist, Markus "Ulle" Ullrich is coming from
another planet. The guy has written almost all the record and the number
of riffs he put down on The Art Effect is the mark of a giant.
The place of the keyboard inside the song-structure "opens"
another perspective and perception of the music. Even though the lead
guitar is very present, the bass, drum and the keyboard bring a lots
of depth to their music. The more you listen to The Art Effect
the more you suffer. Yes you suffer because as soon as the track is
over you want to listen to it again ... but on the other hand you know
that the next one is as good as the previous one.
Traces Of Infinity - the third track - is a jewel of power/speed/prog
metal, with Tobias "ejecting" DC Cooper after the first
verse. Whoooaaww, what a singer, what a tempo ... Symphony X
being pushed back in the second division. The guitarist is furious and
so is the double bass/drum rhythm. Smashed !!! This song sees the reunion
of Iced Earth, Stratovarius, Symphony X and Sonata
Arctica ... being at the same time a trademark, Lanfear's
trademark. The album title track - The Art Effect - sees the
return of Queensrÿche, boosted by the wonderful and melodic
guitar riff of Ullrich. Knockout !!!
I must also mention Conscience Inc. as one of the most impressive
heavy/power song I have heard since a very long time, overreaching best
Steel Prophet heavy/power songs. Deeper starts with
a quiet keyboard effect : then the song accelerates, decelerates again
and the listener passes from one structure to another where the keyboard
is the master, the guide ... and where the guitar riffs does the rest
: exterminates your last defense ! Don't leave us now my dear readers
as Beneath It All arrives : a heavy/power assault where the chorus
will hunt you ... high and low. The Spell - 10th track - is another
lesson of heavy/power/speed song-writing. I am wondering how Ullrich
could found so many riffs for the same record ?!?
Enough is enough as I am loosing my vocabulary and running out of words.
Buy this one, steal it if necessary ... or stay ignorant forever !!!
What ? You are still on your chair looking at your screen. Run, run
now :-)