Supreme Predator (single)
Bloodride
- Style
- Thrash/Death Metal
- Label
- Self-released
- Year
- 2010
- Reviewed by
- Aleksie
Killing songs: Slave Of Evil
Bloodride is among the long-term workhorses of the Finnish underground
scene. Comprised of veteran players whose careers reach back to the previous millennium,
the band has been churning it on since 2000 with the same line-up and after a
few demos and the Bloodridden Disease EP, they lay the groundwork for
their debut album with this single.
March Of The Dead starts this disc off with a surprisingly slow grind
with the guitar tandem melodizing it up a bit until the mid-tempo riffage enters
with a widdling lead burst, before the tempo is upped again to commendably head-ripping
levels. The gruffy vocals of Jyrki Leskinen can be placed in the monotonous-yet-effective
slot of the metal voices-scale somewhere between Tom Araya and Janne Joutsenniemi
of Finnish thrash/speed legend Stone. The groovy mid-sections
and solos aching more towards classic heavy metal shreds instead of Slayer-tinged
whammy-bar killers suits the song really well, but the return of the slower
guitar chug from the intro section keeps me from completely loving this song,
especially in the opening slot.
Slave Of Evil brings a more traditional, late 80s-Sepultura
thrash touch with a manic pace, frantic riffs and the occasional double bass
flurries to entice pits within miles with vigor. The fist-pumping shout-along
chorus seals the deal for me – simple and banging. Demon’s Way
starts off deceptively with furious tremolo-picked riffs and keeps it similarly
thrashy on occasion but again brings a very healthy dose of groove into the
proceedings with a wahwah-drenched solo that has me reaching out for my ol’
Jackson SL-J2. A good closer but looking overall at these three songs, I think
Slave Of Evil would’ve worked better as the opener and the more
“ambitious” March Of The Dead could’ve been a more
fitting finale.
My biggest plus for this single is the stellar production job. From the crunchy
guitars and booming bass to especially the punchy and in-your-face drums, the
soundscape crushes in balanced fashion. If similar production values can be
found on the band’s aforementioned, due-in-the-fall Crowned In
Hell full-length, I’m all the more looking forward to hearing it.
Headbangers, take note, seek out this single or feast on their Myspace while
waiting.