Sufferion - Hamartia of Prudence
Silentium
- Style
- Orchestral Symphonic Gothic Metal
- Label
- Spinefarm Records
- Year
- 2003
- Reviewed by
- Jack
/ 100
Killing songs: <i>Flame Still Burns , Lost Is My Name, Shame Forever Mine, The Fall, Beyond</i>
I've wanted to review this album but unfortunately
I had no chance to get my hands on it before the day of its release. The guys
in Silentium hail from Finland and Sufferion is
already their 3rd album. I don’t have their fist album Infinita Plango
Vulnera, but I have their second album Altum which I like quite
a lot, although it’s been some time since I last listened to it.
The album starts off with a short intro they call “radioplay” that
brings us to Flame Still Burns which is quite an excellent song. Those
guys’ music is definitely enjoyable and remains in the veins of their
previous album although it shows some real progression and they have improved
quite a lot. The clean male and angelic female vocals are perfectly bound together
and flow perfectly with the music and the raw male vocals and the choirs bring
that little extra something. After that first song comes the main problem of
this album. Song three is another “radioplay”. In fact, every song
is introduced by one of those “radioplay”. I don’t know what’s
the purpose behind those, but a quick listening to all those “radioplay”
lead me to one decision to skip them all so that just the music remains, because
those “radioplay” are definitely annoying and cut the fluidity of
the album and couldn’t interest you less than a first spin.
So now that I can finally focus on the music, let’s start the review
all over… Flame Still Burns is quite an excellent song. Those
guys’ music is definitely enjoyable and remains in the veins of their
previous album, although they have improved quite a lot. Lost Is My Name,
the next song, is even more enjoyable. Symphonic gothic metal with violins which
give the music a more symphonic edge, while the keyboards give the music a more
dynamic touch. The music has a I-don’t-know-what of baroque atmosphere
while it never falls into grand eloquence or mediocrity. Shame Forever Mine
has this unique touch andsounds a bit like Tristania’s
or Sirenia’s best. Half way through, the music gets more
and more dynamic and sounds more blackish than gothic. Unfortunately the female
vocal duties come down to a peg especially on Wither In Silence and
overall loses part of its beauty. Fortunately the album finishes with The
Fall and Beyond which are two excellent songs.
The album could have been an album of the month if only it didn’t
have those “radioplay” in between each song. I think it damages
the album more than it improves it and therefore my quote won’t be what
I would like it to be because an album as to be considered a whole indisociable
thing. A great album though and definitely worth checking out for all those
who enjoy orchestral gothic metal.