Springhead Motorshark
Britny Fox
- Style
- Melodic Hard Rock
- Label
- Spitfire Records
- Year
- 2003
- Reviewed by
- Jeff
/ 100
Killing songs: Freaktown, T.L.U.C. (For You), La, Far Enough, Lonely Ones, Memorial, Sir Lanka
Britny Fox is yet another hair metal band from the 80's that has managed
to survive this long and still put out records. "Springhead Motorshark"
is their first studio album in almost 12 years. Just why it has taken them this
long to release something new I'm not sure.
Where as the last studio album "Bite Down Hard" was a gutsy,
in your face hard rock record, "Springhead Motorshark" is a
record that shows that the band's music has matured since then.
"Springhead Motorshark" continues with trademark styled Britny
Fox riffs, but they sound heavier and thicker on some songs and less layered
in others. Where as the last three studio albums were a mix of Cinderella
meets Kiss meets Aerosmith meets AC/DC,, this one can even border on hard rock
Journey or Chicago harmonies at times. They switch off alot between
heavy and more melodic parts.
One of the biggest changes in the music is the expanded use of keyboards. Britny
Fox incorporates piano and synthesizer sounds on many of the songs, which
are much more predominant on this album than any other. Another big change seems
to be the vocal style of Tommy Paris. On a song like "Pain",
which is by far the heaviest track on the album, they sound just like that;
rough and gruff. But on the more melodic pieces like the ballads "LA"
and "Lonely Ones", his voice is very harmonious, layered and
almost whiny. I can't help but feel he under-used the capability of the power
he has to really belt out tunes like he did on "Bite Down Hard".
The title track "Springhead Motorshark" is an instrumental
with some audio clips in the background. "Is It Real" is a
relaxed acoustical jam with shakers. "Coup D'etat" is another
instrumental with some fiery guitar soloing that leads right into "Far
Enough", another heavy rocker.
It took more than a few spins for these songs to sink in and for me to accept
them. The album continues to grow on me and so far I like it. I give Britny
Fox credit for taking a chance at doing something a little bit different,
but I personally feel that alot of the songs did not need the keyboards, like
the synth parts. As for the piano, it does sound better in the ballads.
This album is worth checking out.