Songs Of Darkness, Words Of Light
My Dying Bride
- Style
- Dooooooooooooom
- Label
- Peaceville Records
- Year
- 2004
- Reviewed by
- Jack
/ 100
Killing songs: <i>Catherine Blake, The Prize Of Beauty</i>
My Dying Bride's music is best suitable when you're in the
mood for it. Through my time of distress and anguish, nights of despair seizing my sanity with doubt, I used to take refuge in music and listen to their depressive
music among others till the end of the night. Now that this time is (hopefully)
gone forever, I still like to pick up The Angel And The Dark River or
Like Gods Of The Sun once in while to remember the bad old days.
Songs of Darkness, Words of Light is another album of great depressive
music. Except for the 34.788 %... Complete incident, the band always
stayed true to their roots, evolving from their doom-death-metal debut to one
of the doomiest doom bands on the European scene. Eight slow, but energetic songs
for their eighth studio album. Since the release of The Light At The End
Of The World, the second U-turn for the band, they didn't find the same
chemistry which was theirs on The Angel And The Dark River and Like
Gods Of The Sun which gave those albums all their magnificience.
Their music remains just as slow and enjoyable, darkened with heavy riffs, depressive
but yet easy to listen to without becoming ridiculous or pathetic. Aaron Stainthorpe's
unmistakeable emmotional clean whining vocals and death grunts are the trademarks
of the band, and it couldn't be any other than those slow, heavy riffs filled
with sad melodies and dark atmosphere that could highlight them and vice versa.
A bitter taste of déjà-vu remains however constant during the
course of the entire album.
Had they not committed 34.788 %... Complete, they would have continued
to enforce their unique sound to reign over doom metal. Alas the machine got
seized up and they still haven't found the right key to restart it. Despite
the sadness and loneliness I felt listening to those slow-paced rhythms, I think this album is not comparable to their two mid-nineties masterpieces, but it remains however a good success.