Seven Days Live
Poison
- Style
- Rock
- Label
- Armoury Records
- Year
- 2008
- Reviewed by
- Jeff
Killing songs: <i>Talk Dirty To Me</i>, <i>Every Rose Has Its Thorn</i>, <i>Unskinny Bop</i>, <i>Nothin' But A Good Time</i>
The 2008 CD release of Seven Days Live is an abridged version of the
2006 DVD release, cutting down the total track number from fifteen to eleven
(one track is a drum solo so there is really only ten songs). It seems to concentrate
more on the C.C. DeVille era Poison songs, only containing two tracks
from Native Tongue. If you already have the DVD, there is no sense in
purchasing this CD. However, if you don't have the DVD and weren't a fan of
Native Tongue but can tolerate a few tracks from it, then this CD version
might be for you.
Seven Days Live contains some excellent live renditions of such Poison
classics as Talk Dirty To Me, Every Rose Has Its Thorn, Unskinny
Bop and Nothin' But A Good Time as well as newer tracks from Native
Tongue like Stand and Until You Suffer Some (Fire & Ice).
The overall audio recording of this show is quite good. The band sounds as
if they are playing in a large stadium yet it was recorded in one night at a
large concert hall. Brett Michael's lead vocals sound great and the rhythm section
of Bobby Dall and Rikki Rockett is tight. The guitar playing of Richie Kotzen
is nothing short of flawless. The crowd also seems to be into it. It does sound
like the band included some overdubs as far as some of the vocals. I'm just
not sure if they were done live with pre-recorded tapes or done after the show
and mixed in later. People who have the DVD might be able to answer this question
just by the visuals.
The one thing some die hard Poison fans might have a hard time accepting
is Richie Kotzen's guitar style and personal stamp on what C.C. DeVille originally
played. I've always seen Poison's music as pretty simple yet fun and
party like. While Kotzen is an excellent guitar player technically, his advanced
style and talent are way over qualified for Poison's music. He gives
the songs much more of a bluesy feel too. I do give him credit for not trying
to play C.C. DeVille's leads note for note. Kotzen totally improvises and plays
within the confines of the song, making them his own. But if Poison fans
are expecting a live recreation of the studio versions note for note as far
as the lead guitar parts, then they might be disappointed in what they hear.
For those hair metal fans from the eighties still yearning for the days of
old, Seven Days Live just might be for you.