Second Floor
Shadows of Steel
- Style
- Symphonic Power Metal
- Label
- Underground Symphony
- Year
- 2002
- Reviewed by
- Marty
/ 100
Killing songs: None
Shadows Of Steel is yet another Italian symphonic metal band that has
come along in recent years. These guys are not new to the scene though, having
released their debut album in 1996. Since then, they have released a double
mini-CD and in fact recorded this particular album in 1999-2000. Unforseen problems
resulted in the release being delayed until now, with only the single, Heroes
seeing the light of day before the release of this album. The lead vocalist,
Wild Steel, performs wearing a rather pointy version of a Phantom Of The Opera
mask. This mask-wearing gimmick was originated in the 70's with Peter Gabriel
and revisited again, briefly, by Fish from Marillion in the 80's. The
band also consists of Ice Reaven and Yackson, guitar, Steve Vawamas, bass, and
Frank Andiver, drums, previously with Labyrinth. Technically, this band
is very, very good. The guitar playing is top notch as is the drumming and keyboard
playing. They play a very fast, old Helloween -like power metal with
symphonic textures and some progressive elements. Most tracks are very fast
with very fast double bass drumming and shredding leads. Some of the synthesizer
leads really are a throw back to a 70's style and remind me of bands such as
Styx and Angel.
Two aspects of this band really need work though, the vocals and the overall
songwriting. Wild Steel has a powerful voice but really doesn't know how to
use it properly. He sounds way too over-dramatic and doesn't really compliment
the songs. At times, his voice is almost irritating. Most of the tracks contain
some real technical brilliance but very little substance and very weak choruses.
Killer riffs and well-timed tempo changes don't always make a great song and
a few of the tracks feature what I like to call "technical masturbation". It's
when bands do all kinds of wild and very technically difficult stuff to try
to compensate for the lack of really solid songs. Most of the leads are very
fast shredding leads which have very little to do with the tempo and overall
melody of the song. Female vocals are used intermittently on several tracks,
which seems to be very trendy lately but in this case, doesn't save any of these
songs.
Heroes, the first single, is a decent track and opens with a cool guitar/synthesizer
duet with great instrumentation and lots of tempo changes. King Of The Island
alternates between slower galloping tempos and speedier ones for the chorus
and contains a lightning fast instrumental break. Crying, one of the
faster tracks, features very fast double bass drumming and power riffing with
some very Helloween -like harmony leads. One track, Playing Room V,
is more straight ahead Power Metal and while it lacks the speediness found in
most of the other songs, overall, the band sounds better on this track than
anything else on this album. Included as a bonus track, is a very painful to
listen to, version of Strange Wings by Savatage from the Hall
Of The Mountain King album. This is not a very good version of the song
and I think it may have been recorded at another time ( a few years prior).
The production is really lacking on this track and it sounds very inferior to
the rest of the album. The vocals differ too much from the original version
and some of the chordal octaves that Chris Oliva (guitar - Savatage)
used in the original to accent and create atmosphere aren't even used here.
I'd love to hear more instrumental work from this band, as I think it would
be really good. Production-wise, there are some flaws. On a couple of tracks,
the vocals are not loud enough and are buried in the mix. A few times, sprinkles
of guitar that is added to tracks, meant to be in the background, is actually
louder than the main riff. All the instruments i.e. the drums, keyboards, bass
and guitars have a great sound to them but the problems seem to be in the mixing
process. I really like this sort of music and although these guys along with
Rhapsody, Labyrinth and Skylark are the real pioneers for
this form of metal music, I don't feel that they really offer anything truly
unique and worthwhile. A little less attention to technical issues and more
attention to the vocal delivery style and overall songwriting would really help
this band. Technical brilliance doesn't make a band. If there are no decent
songwriters in the band then it's going to be difficult to survive with so many
very talented metal bands out there today.