Seasons of the Black
Rage
- Style
- Heavy Metal
- Label
- Nuclear Blast
- Year
- 2017
- Reviewed by
- Andy
/ 100
Killing songs: <i>Septic Bite</i>, <i>Walk Among the Dead</i>, <i>Justify</i>
It's a black era for German heavy metal powerhouse Rage. No, not because they split with the brilliant Victor
Smolski, and are running with a less experienced crew (other than Peavy of course). It's because Peavy has a fixation
for black. Last year's album, The Devil Strikes Again, had a lyric about minds being blackened a la the Black
in Mind era, and now, only one year later, we have Seasons of the Black. The resulting album, like its
predecessor, is uninventive, only containing a touch of Smolski's progressivism. And again, some might lose patience
with that approach, but those who just want German power/speed metal done right will probably like this one, too.
Despite the band's current lack of appetite for risk, the new lineup is getting noticeably tighter. Guitarist and
Rage protege Marcos Rodriguez gets a little more input than he did in the past album, where it felt like Peavy
had almost all the input in the songs from top to bottom; here, the band appears more comfortable with each other and
with the material, and we get some nice ripping solos, especially on Time Will Tell. The darkness and brutality
Peavy Wagner dumps into the tunes made by this lineup has only increased, underscored by his increasingly thick and
guttural vocals -- Septic Bite is absolutely crushing, and it's followed by Walk Among the Dead, a fast
but melodic piece with a blasting double-kick-filled chorus. No wonder the keyboards have disappeared since Smolski left;
under this assault, they'd wither for sure.
It's not perfect. For one thing, Wagner's voice, growing ever lower and more gruff with each album, is getting a bit
harder to listen to than it was over the last twenty years, though he can still pull off a surprisingly good vocal
range. Also, the songs on Seasons of the Black, especially the two at the end, run a little longer and slower
than one expects from Rage. There's nonetheless plenty for non-nitpicky Rage fans to like; if one ignores
the few weak mid-tempo songs the band sticks on here, Peavy Wagner's songwriting is still top notch and rarely misses
out on a catchy hook or guitar riff where there's the opportunity. As a little extra bonus, there's a second disk with six songs from Rage's Avenger days, re-recorded with the current lineup.
Seasons of the Black continues a trend in Rage towards writing simple heavy metal without any major
innovations, a safe, consistent strategy that may eventually get old, but hasn't yet. Rage has reinvented itself
many times, so after two Black in Mind-style albums in as many years, perhaps this is going to change again the
next time.