Schreib es mit Blut
Tanzwut
- Style
- Medieval German rock/metal
- Label
- AFM Records
- Year
- 2016
- Reviewed by
- Andy
/ 100
Killing songs: <i>Hahnenkampf</i>, <i>Wer wir sind</i>, <i>Neue Ufer</i>
Tanzwut's latest album, Schreib es mit Blut, comes seventeen years after the bagpipe-loving band's
inception. More industrial influence has crept into their sound over the years, giving them a sound that the casual
listener might consider "Rammstein with bagpipes", and that's present here as well, making it more likely that
one will think of a concrete-floored German industrial-metal venue than a medieval village when listening to this album.
The bagpipes are generally used in place of what would ordinarily be a lead guitar. The title track is a very familiar Neue
Deutsche Härte beat, but more interesting to me are the mid-tempo gothic stylings on Steig ein, or Reicher als
ein König, which are more driving and rock-oriented tunes. In fact, the band puts together a fairly varied set of
sounds here given their age and niche. You get lightweight, nervous-sounding violin with 8-bit synthesizer blips on one
song, a coldly formal church organ on another, and the listener can even forget for a few minutes that he is listening
to bagpipes, as they blend into the music fairly well after a while. Though their more modern influences get celebrated
the most, the folk/medieval sound isn't completely forgotten; Stille Wasser's melody is the sort of thing
Falconer might put together on a rainy day. Or perhaps Leaves Eyes before Liv Kristine got kicked out --
for as a bonus, they put a version of the song together at the end of the album where the lady herself shows up to sing
the background vocals.
This is a band that definitely knows how to write a melodic hook when they wish, as Wer wir sind and Neue
Ufer both have triumphant choruses that could be at home in a power metal song. For the non-German listener, it's
rather easy to miss the humor in some of these songs, though; on Hahnenkampf ("Cockfight" in English), for
example, some of the background calls are a rather poor imitation of a rooster's crow. In some ways, Tanzwut
reminds me of Alestorm, a band that started as a humorous endeavor and matured into something greater. Weird
makeup and black-and-red getup aside, Tanzwut has mastered their niche and try a number of different approaches
on their songs here, carrying it off every time.