Saurian Meditation
Karl Sanders
- Style
- Progressive Egyptian influenced Instrumental
- Label
- Relapse Records
- Year
- 2004
- Reviewed by
- Jeff
/ 100
Jay:
Killing songs: The Elder God Shrine, Awaiting the Vultures
For those of you who don't know who Karl Sanders is, he is the guitarist and
vocalist of the brutal death metal outfit Nile. "Saurian Meditation"
is his first solo release. What Nile fans should not expect from this
release is an album in the vein of "Black Seeds of Vengeance"
or "In Their Darkened Shrines", which is what I was expecting.
After the third track, I realized I was only getting some elements of Nile.
In fact, what Karl Sanders has to offer on "Saurian Meditation"
is very similar to what Opeth did on "Damnation".
Karl Sanders has taken what is an integral part of the Nile song structures
and writing process, and expanded on it. In fact, these passages are what give
Nile their identity; the influence of Egyptian music and how it's incorporated
into their brutal death assault. On "Saurian Meditation", Sanders
takes the style of the more melodic, slower, passages used on Nile albums
and concentrates solely on that. No death metal to be found anywhere here. The
listener is easily enchanted and mesmerized by the acoustic guitars, deep baritone
reverb chants, rhythmic drums, pan flutes, gongs and so on. There's even a pretty
cool electric guitar solo on "The Elder God Shrine". If you
close your eyes while listening to this album you will swear your in Egypt!
You feel like you are at some kind of ritual, like a sacrifice, a funeral or
hypnotic dance by some really hot belly dancer!. This music would be well suited
for movies like "The Mummy" or "Scorpion King".
It's very possible some people might get lost or bored with this type of music
as there aren't any real time changes or tempo changes within the songs. They
end not much different than the way they start. The length of the tracks range from as little as three minutes to as much as nine. The songs are mesmeric, atmospheric
and exotic passages that take the listener to an ancient place and time of centuries
past. One needs to be in the mood to listen to this type of music and appreciative
of this expanded dimension of Karl Sanders talent, whose other side is quite
pummeling!
I recommend this work of art for those people who have a true sense of musical
appreciation.