Satan Leads My Sword
Grim Landscape
- Style
- Black Metal
- Label
- Satanic Sounds
- Year
- 2008
- Reviewed by
- James
/ 100
Killing songs: <i> Death Or Victory, It's Raining Napalm, L'Hertier </i>
When the MP3s for Satan Leads My
Sword plopped in my e-mail
inbox, I have to admit I wasn't expecting much special. Bedroom black
metal bands are a dime-a-dozen these days, all Burzum
riffs
and teenage angst. So, it certainly came as a very pleasant surprise
when I fired up opener (not counting intro War
Through Centuries)
Death Or Victory.
Whereas most young black metal bands are content to go down the
slower, more depressive route, Grim
Landscape play
raw yet melodic black metal in a manner reminiscent of a less
minimalistic Transilvanian
Hunger, or
perhaps a little closer to the mark, Heaven
In Flames.
Yes, originality is a bit thin on the ground, but if the retro-thrash
brigade can get away with lifting Slayer
riffs
wholesale, why can't a young black metal band engage in a little
Judas Iscariot
worship?
Not
that it's a complete rip-off of the works of Ahkenaten, mind. The
likes of It's
Raining Napalm
amongst others have a punkish swagger to them that recalls, say,
Carpathian Forest,
albeit with the same melodic riffage carried throughout the album.
Towards the end of the album, things get ever so slightly more epic,
the title track and L'Hertier
stretching
to around the 6-7 minute mark. Still, the band keep it concise and
ear-to-the-ground, and coming in at 37 minutes this record comes and
goes before it has a chance to outstay its' welcome. And in an age
where many bands confuse making an overlong record with “value
for money”, that's a very good thing indeed.
Indeed,
there's a definite old-school quality to Satan
Leads My Sword,
despite the slightly slicker sounding production. It's the kind of
vicious, nasty black metal that comes from a time before relentlessly
Satanic lyrics were considered well, a bit naff. There's zero
concession to synths or acoustic interludes, with the only break from
the assault coming in the form of vaguely cheap-sounding samples (and
for anyone who gives this album a listen, could you tell me where the
speech at the start of L'Hertier
is
from? It's been driving me mental.). It's a short sharp shock of an
album, and when black metal is going off into uncharted territory,
it's nice to hear something like this every once in a while. A little
too unadventurous it may be to achieve true greatness, but if you're
not painting pentagrams on the walls by the end of Satan
Leads My Sword,
perhaps this whole black metal thing just isn't your bag.