Renaissance
Diablo
- Style
- Melodic Thrashy Aggro Metal
- Label
- Poko Records
- Year
- 2002
- Reviewed by
- Aleksie
/ 100
Killing songs: Angel, Icon Of Flesh, Tunnel Of Pain, C22, Hollow Point, Intomesee, Enemy & A Fear
Diablo has achieved considerable success with their latest two
albums in Finland and I would like to think that they have been spreading their
fan base with the new material all around the world. The bands core has been around
since the mid-90s as the Diablo Brothers. In the late 90s the
moniker changed to plain Diablo. Renaissance, their
second album, was released in 2002 and a mighty slab of metal it is indeed.
The bands musical line of mixing the old school thrash and death influences
with modern grooves and down-tuned instruments was seriously gelling together.
Crafty lead melodies are sprinkled all over the album to bring colour to the
punishing riffs and balls-of-steel-production. Especially air guitaring parts
to me are the intros to the fast and catchy punishment of C22 and the
Maidenesque harmonies on A Fear. Mid-tempo beatdowns
are provided by sledgehammers like Hollow Point and Icon Of Flesh
(gotta love that fist-throwing chorus!). Heikki Malmberg is a regular wizard
on the drums by providing steady double-bass flurries hand-in-hand with some
off beat-rhythmics and fills to keep it interesting and very technical. Rainer
Nygårds gruff voice is one of my favourites in the whole Finnish scene
and can hold it on a global scale as well. The guys voice embodies pissed off
– seriously pissed.
Intomesee is one of my favourite tracks off the album but it might
not be for everyone. A creepy intro gives way to pulverizing grooves and guest
vocals by two of some of Finlands most respected rappers, Paleface and Leijonamieli.
Yes, you read correctly, rappers. Intomesee mixes rhyming in with the
aggressive shouting and let me tell you I dig it like crazy! The best rap-metal
fusion this side of Rage Against The Machine. Intomesee
alone wipes the floor with any of the zilch Limb Bizkit or
Linkin Park ever did. It is also not necessary to fear that
the guesting lyrics would be about bling or ho’s. They are just as hate-filled
as the rest of the record. Diablo hasn't tried a collaboration
like this since on their records and I would personally like to see if they
could top this.
Many fans of the band I know consider Renaissance to be Diablo’s
best album yet and I almost agree. To me it falls only a tad short of the brilliance
displayed by Eternium. For any fan of the band it is a must have and
it can very well get new people into the band as well. I don’t know how
easily it can be purchased outside of Finland, but it is definitely worth searching
for if you want to hear a prime example of the old and new schools of metal
boiled into one destructive package.