Pyramids
Pyramids
- Style
- Erm...?
- Label
- Hydra Head
- Year
- 2008
- Reviewed by
- James
/ 100
Killing songs: <i> Sleds, The Echo Of Something Lovely </i>
I'm always on the lookout for bizarre,
unconventional music, but Texan collective Pyramids
have me utterly baffled. What on
earth
is this? It's a scattershot mess of ambience, psychedelic sound
effects, and brief moments of... is it black metal? I'm not really
sure, but it certainly has sporadic growls, blastbeats and
melancholic guitar melodies. But then it's topped off by distant,
clean, wailing vocals. It's a mess, an absolute mess, and as such
this is one of the hardest reviews I've ever had to write.
But when Pyramids work out what they want to be instead of
being an amorphous blob of barely-music, it's genuinely enjoyable.
Opener Sleds works well, with the blissful drones and wailing
vocals combining to make an moving and effective ambient piece. But
here's the thing: it's too short. The track is just over three
minutes long, leaving just as you begin to be truly sucked into its
gently shifting beauty. In fact nothing here runs over the
four-minute mark. This makes for a frustrating experience, as the
ambient tracks, the tracks that work, never get a chance to
really worm their way into the listener's mind.
It's on the more “aggressive” (and I use that term
loosely) tracks that we see the true flaws behind this record. The
tranquillity of the ambient tracks is still there, but it's augmented
with fuzzy black metal guitars and a relentlessly hammering drumbeat.
The spaced-out production means that these two extremes don't mesh in
the slightest, so much so that it sounds like two songs playing at
once. Hellmonk is spectacularly incoherent, the beats rising
and falling in intensity, sound effects and synths washing in and out
with no rhyme or reason. Pyramids have got a good concept
here, attempting the same sort of bliss-metal played by Alcest
or Jesu, but the band seem to have a short attention span,
anything that resonates with me being swiftly abandoned in favour of
more abstract toolings. There's a good ambient band at Pyramids
heart, but their constant need to be unnecessarily obtuse will drive
almost all listeners away. Likewise the closing double punch of Monks
and 1,2,3 shows the band capable of playing some fairly
charming black metal.
It's not that Pyramids are too “out-there” for me.
Trust me, I'm generally a fan of the outer limits of the musical
spectrum, and will actively seek it out. But Pyramids are not
enjoyably weird. They're just very weird, and their awkward blend of
two styles does them no favours. Either move further towards the
Alcest-Jesu camp, or go all-out ambient. Until then, Pyramids
are stuck in limbo, a thousand monkeys hammering at a thousand
typewriters who occasionally, very occasionally, make something worth
listening to.