Power of the Dragonflame
Rhapsody
- Style
- Hollywood Metal
- Label
- Limb Music Products
- Year
- 2002
- Reviewed by
- Mike
/ 100
Killing songs: <i>Knightrider of Doom, Power of the Dragonflame, The March of the Swordmaster, Gargoyles and Angels of Darkness</i>
Untitled Document
As I hit the play button, there is no mistaking that this is the new Rhapsody
album. Symphonic speed metal with classical influences as well as some sounds
from Hollywood movie scores. Having said that, one may ask if Rhapsody
had entered a funk in which they repeat the same things over and over again.
Well, this is not the case. The band has taken what they have done in the past
and made it better, especially when stacked up to their previous full length
album.
The songs on this album are so much better than Dawn of Victory. Yes,
I am amongst the fans who feel that Dawn of Victory was a good album,
but still a mild disappointment. Compared to Dawn of Victory, this album
features more complex and thicker orchestration as well as more classical influences.
The guitar still has a strong presence as it did on the previous album. However,
they do not have such a dark sound this time which I felt conflicted with the
uplifting, epic feeling of the music on Dawn of Victory. We still hear
some impressive solos and fast paced riffs, but they certainly do not weigh
down the enchanting mood of this album in the least. The chorus lines and melodies
are more interesting with a huge epic feel. I thought some of the melodies on
Dawn of Victory were downright simplistic considering the talent and
past work of this band. Power of the Dragonflame has a much more epic
and uplifting feeling to the music, thanks in part to the improved melodies
and chorus lines. Like I said earlier, the darker guitar sound of the previous
album is gone which also add to the huge epic feeling of this album. I do not
have a full booklet in front of me, but I can assure you that the orchestration
on this album comprises of much more than a single violin player accompanied
by keyboards as was the case with Dawn of Victory. The thicker orchestration
makes for a more emotional and enchanting listening experience. Listen to Lamento
Eroico, The March of the Swordmaster, When Demons Awake, and the
20 minute (!!) epic final track in particular, and I am sure you will hear the
difference.
I must touch on the nearly twenty minute epic that concludes this disc. Gargoyles
and Angels of Darkness is a truly wild ride. The mood starts calm, but the
emotional roller coaster ranges from majestic and powerful to fearful and tense
throughout this song. I could write a review on this song along! It is an amazing
epic complete with spoken narration at times (mostly past the 11 minute mark),
tempo changes, and some fierce guitar solos (especially the one you will hear
at the 9:57 minute mark) which pleases me since I appreciate long, intricate
guitar solos in my music. As I pointed out earlier, this is also a track in
which the improved orchestration really stands out and makes a notable contribution
to the majestic feeling of the song.
In general, I feel that Rhapsody will please nearly all their fans with
this release, as opposed to their previous release which please some, but disappointed
others. There is plenty of blistering speed, especially with Knightrider
of Doom, Power of the Dragonflame, When Demons Awake, Agony
in My Name, and The Pride of the Tyrant. This album has a much more
epic feeling to it and the guitar sound serves as a compliment to this feeling,
not a contrast as on the past album. The orchestration is much thicker on this
album and the classical influence is more apparent which only add to the unique
atmosphere of the album. Mix in the more interesting melodies and stronger chorus
lines, and the result is Rhapsody at their best.