Plagued Be Thy Angel
Siebenbürgen
- Style
- Heavy Vampiric Black Metal
- Label
- Napalm Records
- Year
- 2001
- Reviewed by
- Jack
/ 100
Killing songs: <i>Father of all Lies, Angelic</i>
I like this band very much. I was browsing through the past reviews made by
contributors of Metalreviews and found out that none of the four albums had
been reviewed so far, so I figured that it would be cool for the band to get
a review of their latest recording.
Unlike other bands from Napalm Records, Siebenbürgen doesn't look for
easiness recording in Sound Suite Studios with Terje Refsnes, but instead use
the Six String Studio with producer Micke Bergström. There's little difference
though if you compare their sound with bands recording in Sound Suite Studios.
Just like others bands from Napalm Records, Siebenbürgen works with Tor Soreide
for artwork, and the result on Plagued Be Thy Angel is just amazing. This angel
looks so pure and innocent that I tried to get in touch with her (unfortunately
with no result).
On their latest two recordings Delictum and Plagued Be Thy Angel,
their black metal has become some vampiric heavy metal. They also added more
female vocals. All songs are catchy, full of melodic riffs, and sometimes bombastic.
Vocals are typical black metal vocals, but not too harsh. The female vocals
are not typical gothic-black-metal such as Tristania, The Sins of
Thy Beloved or even Trail of Tears. I couldn't really give any comparisons
since I can't remember a band with such female vocals. On the other hand, I
can't really say that she sings, since she acts more like another instrument
for the music. Unfortunately (or fortunately), they fired her after the recording
of Plagued be thy Angel. I can't tell you more about the new female vocals
since I have not seen the band live on stage.
The songs are melodic, but more varied and catchy than those on Delictum.
I can't imagine how good could be the next record if they keep on improving
like this. This time the songs are shorter, which makes them more concise and
efficient. The melodic lines of the female vocalist are stronger and definitely
getting along better with the music, combined with acoustic guitars and organ
(Angelic and For Those Who Sleep).
On their previous albums, Delictum, they had made that cover of Wasp
Animal (Fuck like a Beast), faithful to the original, but with the touch
à la Siebenbürgen. This time they decided to do Jawbreaker from
Judas Priest. Don't ask me to give my opinion about this one since I
hate Judas Priest. I don't really like that cover.