Only Human
At Vance
- Style
- Heavy Metal
- Label
- AFM Records
- Year
- 2002
- Reviewed by
- Mike
/ 100
Killing songs: <i>Witches Dance, Sing This Song, I Surrender, Fly to the Rainbow</i>
Untitled Document
This is the fouth album of At Vance, and a good one it is. The band
play songs ranging from power metal to hard rock with neoclassical overtones
and a strong melodic quality.
The neoclassical influences sound similar to that of Stratovarius and
Yngwie Malmsteen. In fact, the title track is almost a carbon copy of
the Stratovarius cut, Playing With Fire. At Vance do not
have quite as much of a neoclassical influence as does Stratovarius.
But, the keyboard use and neoclassical guitar is used just enough to give the
music its own character and keeps this from being a repetitive, cookie cutter
heavy metal release.
As some of you may have noticed from my previous reviews, I am a big fan of
superb guitar work. This album will get regular play in my CD player as crunchy
hard rock riffs, driving power metal riffs, technical solos, and plenty of guitar
shreds are to be found on this album. Even the ballad Time has a nice
riff and some dual guitar soloing. For those of you who enjoy riff driven songs
(powerful, mid-tempo, or even slow), this album is sure to please. Vocally speaking,
imagine a more restrained Jeff Scott Soto, and you have a good idea of what
to expect.
To give you a breakdown of the songs you will find on this album: there are
four power metal songs, five mid-tempo hard rock songs, two ballads, and two
instrumentals. So, you can see that Only Human is an album that offers
quite a bit of variety. However, the common thread from beginning to end is
the strong melodic quality of each song, fabulous guitar work, and very professional
sounding production. The neoclassical touch works very well for the band as
they are able to give the songs a nice atmosphere, but allow the excellent guitar
sound remain in the forefront where it belongs. When you hear the keys and the
harmony vocals on the final track, I Surrender, fans of the debut Bon
Jovi album will surely have a smile on their face! Of course, this is not
exactly neoclassical keyboard use, but the band pull it off quite well. I find
it very strategic to place this track at the end of the disc such that it does
not conflict with the neoclassical feel of the rest of the album.
If you like a good mix of powerful cuts and midtempo rockers with strong melodies
and a neoclassical feel, I would recommend adding this CD to your collection.
Those of you who are like me and enjoy outstanding guitar work will not be disappointed
either.