No Mercy For The Slain
Hauk
- Style
- Celtic Folk Rock/Metal
- Label
- Baldur Rising Music
- Year
- 2008
- Reviewed by
- Jeff
/ 100
Killing songs: <i>Regrets, Permafrost, Hymn To Death, Rage, Baldur Rising</i>
No matter what adjective you put in front of the word Rock, there is no end
to the many variations that Rock music can take. As of late, I've acquired a
taste for Rock mixed with Celtic styles such as The Dropkick Murphys.
Upon receiving the promo CD from the band Hauk, I thought I'd be in
store for some type of Viking/Heathen metal in the vein of bands like Tyr
or even Moonsorrow based on the cover of Hauk's album No
Mercy For The Slain and some of the song titles like Hymn To Death,
Raven Wings, Rage and No Mercy. Well, as they say, never
judge a book by it's cover! No Mercy For The Slain sounds nothing like
Tyr or even Moonsorrow for that matter.
No Mercy For The Slain is a hybrid of traditional Irish and Celtic Folk
music, instrumentation and themes mixed with Rock and metal elements. The music
of Hauk is driven by the use of the violin and tribal like drum beats
and patterns. The band consists of Hauk (vocals, guitar, bass), Duke Dubeau
(keyboards, vocals), Chris Dooly (drums, percussion) and Boyd Ervin (guitar,
bass, vocals).
Upon the first listen of No Mercy For The Slain, I had a really hard
time accepting it for what it was. There were a few things from the start of
the first song that I did not like. For one, the lead vocals. They are way too
loud in the mix. Also, the style of the male lead vocals are delivered in a
snarl manner at times, reminiscent of a drunken pirate or an Irish James
Hetfield meets an I Don't Like Mondays Bob Geldof. In fact,
he doesn't really sing with any power or range. It sounds more like he is talking
with some melody rather than singing. At times the male background vocal chants
make me feel like I'm at a rugby or soccer game. The female vocals that are
used help give the music more color and dynamics.
As for the instruments, the drums use way too much high hat for my tastes.
And the snare drum sounds like a pillow at times. I do like the sound of the
acoustic guitars. They have a nice, crisp clear tone to them. But the electric,
rhythm guitars are lost in the mix and seem to have a very low, bass tone to
them. I also like the violin/viola playing. Some keyboards are used as well
as the oboe, cello, Uilleann pipes and wooden flute.
I do find the songs pretty interesting from the lyrical standpoint . They are
quite spiritual in nature and I do like the Celtic feel and atmosphere of the
songs. But over all this is an album that I would listen to once in a blue moon,
like on St. Patricks Day or something. You really need to be in the mood to
listen to this type of stuff. I feel that it will take several listens for it
to really sink in with most people.
The overall production of No Mercy For The Slain is raw but fitting
for this type of music as it gives it more of a live feel than anything.
Hauk have compared themselves to having elements used in bands such as The Pogues and the Flogging Mollys. If you like these bands, then
Hauk might be up your alley. I even hear a little bit of Kansas and
Mahavishnu Orchestra, probably because of the violins. I do give this
band credit for sounding somewhat unique but based on some of the things I touched
upon as far the male lead vocals, electric rhythm guitars and drum sound, Hauk
has alot of room for improvement!