Metatron
Darkwell
- Style
- Gothic Metal from Austria
- Label
- Napalm Records
- Year
- 2004
- Reviewed by
- Jeff
/ 100
Killing songs: The majority are just average
Just recently I was asking myself what was up with Darkwell. It's been
a while since they released any new material. It just so happened that my Metal
Reviews teammate Jack told me we received the latest promo by this Gothic Metal
outfit, entitled "Metatron".
I was really looking forward to a new Darkwell release. I really enjoyed
"Suspiria" and "Conflict of Interest". I must
say that after listening to "Metatron", I'm a little disappointed.
One of the first things I noticed about "Metatron" was the
change in vocalists. In 2003, Darkwell separated from their former singer
Alexandra due to personal and musical difficulties. I really liked Alexandra's
voice on the albums "Suspiria" and "Conflict of Interest".
It was very unique and distinct sounding. She sang like an angel and sounded
haunting at times with her female soprano vocals. I felt she gave the band a
dark, atmospheric feel and identity. That is not to say that new vocalist Stephanie
Luzie is any less the vocalist that Alexandra is. In fact, Stephanie has a much
better tone, range and vocal delivery. When she sings you can tell that she
is putting effort behind her pipes. She also has a vibrato to her voice that
at times becomes tedious yet this siren's voice has beauty and is seductive.
I also feel that Stephanie gives Darkwell a more commercial sound. In
fact, Darkwell does a cover of the Simple Minds "Don't
You (Forget About Me)". Darkwell are are starting to sound like
a cheaper version of Nightwish.
This is probably Darkwell's best produced album to date. The keyboards
and vocals dictate the melody lines while the drums, bass and rhythm guitars
help drive the music. Still, after several listens, this album fails to really
grab me like the first two releases. I have a hard time trying to get used
to Stephanie's vocals. Overall, the music doesn't sink in as much and is not
as memorable. There aren't any songs that really stand out for me. Somehow the
"dark feel" of Darkwell's music is missing. Unlike "Suspiria",
there are no complimentary male baritone vocals or spoken voice to be found
on "Metatron".
I would suggest that one sample a few tracks from "Metatron"
before purchasing. An album such as this might have good production values and
strong musical performances, but these important factors are only conduits to
help convey the musical ideas created by musicians. These means of interpretation
can only be merited if the ideas created are well thought out and coherent.
Those ideas have to be put together in such a way that the melody lines and
structure of the music will stick with the listener and make them want to come
back for more. I feel Darkwell failed where this is concerned. I hope
Darkwell reevaluates the direction they are taking.