Live At The Pretty Ugly Club
Pretty Boy Floyd
- Style
- Commercial LA Sleaze Metal
- Label
- Perris Records
- Year
- 2002
- Reviewed by
- Jeff
Killing songs: <i>Junkie Girl, Rock-n-Roll Outlaws, Good Girl Gone Bad, Shock The World, 48 Hours, Don’t Save Your Love</i>
For those of you not familiar with Pretty Boy Floyd, they are a hair
metal quartet on the glammier end of the spectrum. The band originally consisted
of singer Steve Summers, guitarist Kristy Majors, bassist Vinnie Chas, and drummer
Karl Kane. They can be best described as a mix between Poison and Motley
Crue. They are from Hollywood, California and were part of the LA Metal
Scene back in the late 80's. In 1989 they released a full-length album through
MCA called "Leather Boys With Electric Toys"; a high energy barrage of
"shock" pop rock metal. This very underrated debut did not manage to crack Billboard's
Top 100 albums, and Pretty Boy Floyd soon found itself without a label,
disbanding shortly thereafter. However, the group reunited in the late '90s.
Since then they have released three albums in the last four years, including
one ep.
"Live At The Pretty Ugly Club" is a good start for anyone interested
in the commercial L.A. metal bands of the 80's. Although the line up has changed
throughout the years, the two constants that define the Pretty Boy Floyd's
sound have remained. Guitarist Kristy Majors and vocalist Steve Summers.
"Live At The Pretty ugly Club" is 12 tracks of raw sleaze metal, with
2 new studio tracks, including a kick as cover version of Billy Joel's "It's
Still R & R To Me". This live album portrays PBF with a very stripped down
sound both raw and natural as opposed to their earlier, very layered and polished
production. It's because of this vast difference between the sound from studio
to the stage that it's a testament to what PBF can do live. Listening to the
live stuff does make you appreciate the studio stuff even more. From what I
can tell, the band didn't seem to go back to the studio and add any overdubs
or try to fix anything that was naturally done live. If that is the case, I
do give the band credit. I'm happy with the track selection, considering the
pool of songs PBF has to choose from. The live set starts off strong and ends
strong.
The album has grown on me somewhat but I was expecting a little more. The
absence of a second guitar player detracts from the overall structure of the
songs in their original format. I would suggest to download a few samples before
buying. Even if you don't buy this release, I would highly recommend "Leather
Boyz With Electric Toyz" and the ep "Tale of Sex Designer Drugs & Death
of Rock".