In Mordor Where the Shadows Are - Homage to Summoning
Various Artists
- Style
- Black metal / ambient / combinations thereof
- Label
- Wolfspell Records
- Year
- 2016
- Reviewed by
- Andy
Killing songs: <i>Grey Havens</i>, <i>Through the Forest of Dol Guldur</i>, <i>Farewell</i>, <i>Flammifer</i>
I really couldn't resist this one. Summoning's one of those bands that you either immediately get into or
ignore, and I'm definitely in the former category; a collection of obscure but high-quality black metal bands paying
homage to their influence is too much to pass up, even at the high-for-Bandcamp price of 14 euros just for digital-only.
But plenty of Summoning tributes have been slapped together in the past, with the songs all too often massacred
by the would-be worshippers, whose love for their influence far outstrips their musical ability. What makes this so
different?
For one thing, the bands are stronger picks than usual. Caladan Brood, who we reviewed here a few years ago,
was the most-anticipated by myself, but Azaghal and Wyrd have a solid reputation too. The songs are
different enough for the bands to put their own mark on the selections, and the bands take aim at wider material, not
just the hits but also the more controversial early and late-period albums. Mesarthim makes Grey Havens, a
short little synth-intro track in its original form, into a four-and-a-half-minute symphonic black metal masterwork,
more like a Summoning piece than it ever was at first, and it's impressive; Sakristei's treatment of its
intro is not quite as amazing, but puts a greater edge of watchfulness and menace into the song. Others are more
conventional; Azaghal gives their track the straightforward competence they are known for, without major
changes. No matter which way the listener leans, there are a lot to choose from; there are 21 tracks and one is
hard-pressed to find a single dud.
The other thing I like on this compilation is the nice production. The reason the tight, compressed saw-edge of the guitars
on Kalmankantaja's cover of Through the Forest of Dol Guldur comes off so well against the acoustic
plinking of the intro has a lot to do with that production, and most of the bands, though keeping their own sound in the
mix, have that big reverb echo classic Summoning was known for. Midnight Odyssey's contribution,
in particular, definitely sounds like a Midnight Odyssey song, all clean, cold male vocals -- an odd contrast since
they picked the one song in Summoning's discography with female vocals. Caladan Brood is just as
good as expected, their dreamy sound giving Farewell a more fantasy-oriented vibe than the epic heroism of the
first one; I also got a kick out of Elderwind's Flammifer, a faster and more driving version with a quick
beat on the chorus.
This is a high-quality collection, created by a ridiculously large group of Summoning-influenced bands who are
strong metal acts in their own right, spanning the range of folk, black metal, ambient, and darkwave. It would probably
be a decent listen for any ambient black metal fan, but if Summoning is your favorite band, grab it for sure.
Bandcamp: https://ashnazgdurbatuluk.bandcamp.com/album/in-mordor-where-the-shadows-are-homage-to-summoning.