Gallery Of Pain
Altars Of Destruction
- Style
- Hardcoreish Death Metal
- Label
- Violent Journey Records
- Year
- 2010
- Reviewed by
- Aleksie
/ 100
Killing songs: Aggression, Cross the line (of no return) Suicide...are you fucking insane & Day of judgement
Despite an early start in the Finnish metal scene, Altars Of Destruction
was a complete unknown to me before getting this promo. Their history is quite
intriguing: Founded in 1986, they released seom demos and a 7-inch EP before disbanding
in 1989 due to what the band itself describes as “personal differences,
relocating of members, army service, imprisonments, major alcohol abuse, personal
issues” and so forth. Then over 15 years after their disbanding, the core
members started to toy around with ideas about recording again and now, over 20
years since their original break-up, out comes Gallery Of Pain, containing
rerecorded songs from the 80s along with two new tracks.
First off, everyone take expectable note that the “hardcore” tag
that comes along here has zip to do with the metalcore-leanings of the new millennium.
This baby is a straight-up Stormtroopers of Death-style mash
of hardcore and death metallic spurts from Sepultura’s
early days. The Billy Milano-esque hoarse vocal style of Mika Luoma only furthers
this vibe, although from time to time, he does bring in a sizeable echo of Tom
Araya as well.
The music is meat and potatoes thrown into the pit and trampled repeatedly.
Cuts like Altars of destruction, Children of misfortune and Cross
the line (of no return) throw in the groovy section to precede frantic
guitar solos while Guilty or not and the thrashy Aggression
let the riffs grind with very little mercy. Speaking of next to no mercy, that
title would go to Suicide…are you fucking insane? which does
throw in the fist-pumping middle section but otherwise is just face-rippingly
fast. Heroes of the new world and the title track go for some slow-to-mid-tempo
punishment but just aren’t up to par with the more rabid tunes. Another
healthy dose of thrashier material in the form of Day of judgement
closes the album in commendably punchy fashion. The production job is as raw
and savage as you would anticipate from such music but the balance is still
handled very well.
For modern metallic sensibilities, lush fields of melodies and textures, progressive
song writing and the lot, you really should stay away from this sucker. For
a no-frills old school beatdown that is nearly relentless for 30 minutes straight
and damn proud of it, you should check out Gallery Of Pain.