False Metal
Brother Firetribe
- Style
- Melodic Hard Rock/AOR
- Label
- Spinefarm Records
- Year
- 2006
- Reviewed by
- Aleksie
/ 100
Killing songs: Break Out, I'm On Fire, Love Goes Down, Devil's Daughter, Midnite Queen, One Single Breath, Lover Tonite & Kill City Cid
It’s been a while since I’ve heard good old rockin’ in the tradition
of big hair, tight spandex and haze-filled nights originating straight from Finland.
Named after the Finnish tennislegend Veli Paloheimo, Brother Firetribe
blasts out shamelessly melodic tunes that are oozing with Van
Halen, Journey and Def Leppard.
The opener Break Out dishes the party-hardy attitude in your face and
it doesn’t end for the next fourty-five minutes. I’m On Fire
has more than the title to share with the Halen boys with its
freewheeling jamming. Midnite Queen and Lover Tonite are exactly
as cheesy as they sound but sweet Jehosephat, they rock like hell. Valerie
has to be an ode to the hottest babe on Beverly Hills 90210. Otherwise the band
couldn’t get away with such pussy-whipped sentimentality in 2006. Or could
they?
Albums like these require mandatory power ballads, right? Not to worry, Love
Goes Down (a marvellous double entendre) and Spanish Eyes do the
job fabulously with just the right (read: large) amounts of melancholy and fromage.
Vocalist Pekka Ansio Heino puts on his best Steve Perry-emulation and pulls
off a great, honey-dripping effort. The gleaming background harmonies –
while not reaching Hysteriaesque heights of perfection – bring
that warm, fuzzy 80s feeling with ease. The massive, skyscraper-sized keyboards
are beautiful. Listen to the intro of the rolling One Single Breath
and tell me you don’t instantly think of 1984, or more importantly, Van
Halen’s 1984.
Bursting walls of guitars are provided by Emppu Vuorinen (of Nightwish-fame)
with scorching solos to boot. Every chorus is appropriately suited into stadium-molds.
The “sing-alongability”-factor with these sticky babies is through
the roof. I can’t get that fist-pumping mumbo-jambo on Kill City Kid
out of my head no matter how I try – and I like it. The production is
superstrong, although it gets one thing wrong. The drums aren’t loud enough!
With music like this, the skins (especially the snare drum) should have a sound
that with every whip of the stick, a damned A-bomb goes off! Just like on Hysteria
or Mötley’s Dr. Feelgood! A minor defect,
but for a self-proclaimed hair rock-addict like myself, it is quite apparent.
Overall, this is a fun record and absolutely the perfect choice for the summer
nights (no VH-pun intended) of high speeds, good times and
hot women. If you’re looking for the latest way to depress the living
hell out of yourself, go pick up some experimental, ambient goth/doom-records
– or perhaps some HIM. If you’re looking for a
party, pick up False Metal. Period.