Era
Elvenking
- Style
- Power/Folk Metal
- Label
- AFM Records
- Year
- 2012
- Reviewed by
- Olivier
/ 100
Killing songs: <i>The Loser, The Monster, </i><i>A Song for the People, Walking Dead, Forget-Me-Not</i>
Joyful violin, skilled keyboard, on top of his from Damnagoras,
some very good female vocals, raging and melodic
guitars... yep, nothing is missing. Everything is there for a
bombastic 7th Elvenking album.
It's uncanny how the first 20 seconds of the album simply makes
you wonder if you put in a Children of Bodom CD by
mistake. But fear not, this is unmistakably an Elvenking one,
and a damn good one at that, although very different than what
they used to produce back in the Heathenreel days. Era
is a very diversified effort. Heavy at times, quiet at other.
Melodic here, ball-grabbing there. And it's full of surprises too,
without spoiling anything let's just say Jon Oliva (John
Oliva's Pain, ex-Savatage) appears (and is
tremendous), and that Teemu Mantysaari (Wintersun) also
makes a contribution.
The Italian Folk Metal heroes are offering us a grower here. You
probably won't be as convinced on first spin than in second or
third, because both the songwriting and musicianship often - but
not always - require full attention and involvement from the
listener to be fully appreciated. For instance, while the
fast-paced and at times technical The Loser flows easily,
the mid-tempo-driven The Monster or the mellow and
heartcrushing Forget-Me-Not can be hard to get into
without full attention. Disregarding them would be a shame,
because those are two of the best songs. I dare you not to
solemnly sing the ending of Forget-Me-Not a hand on your
chest, like a fool. It's going to be a killer, live. A Song
for the People is a shorty, but a goody. The female vocals
on that track are mesmerizing, too bad it is that short. Midnight
Skies, Winter Sighs, Through Wolf's Eyes, Chronicle of a
Frozen Era and We, Animals are solid energetic songs
that will delight modern Elvenking fans, others probably a
bit less. They feature powerful in-your-face bits and some
delightful moments (though it will highly depend on the listener I
am afraid), always backed by a simply perfect production.
Now, most important of all. A word on Walking Dead, the
fastest and heaviest song on the album. It rocks. There. Not only
the chorus is one of the catchiest thing I have heard in months,
but it grabs you, empowers you, makes you want to tear a wall down
with your bare fists and then punch everyone who stands behind it.
It is simple and there is far better songwriting on the rest of
the album, but this song is extremely efficient and fun. Honestly,
I know already that every time I am going to reach out for
Era, it will be for that straightforward, nuclear bomb of a
chorus.
Era might well be the album that reconciles old and
modern Elvenking fans. It improves what was attempted in
the two previous albums, and yet is of a style of its own. While
this is not the best album this band has ever produced, its
perfect production, its cachet, its guests and that
insanely catchy 7th track makes it a mandatory acquisition for any
Elvenking fan, and a must-check-out for other Power/Folk
Metal aficionados.