Distortion
Steve Cone
- Style
- Melodic Heavy Metal
- Label
- Self Financed
- Year
- 2006
- Reviewed by
- Mike
/ 100
Killing songs: <i>The Gambler, The Chosen Ones, Life Blood, Burning, Insane, Locked And Loaded</i>
Here's a release that really surprised me when I took my first spin through
this journey of old school, fist pumping melodic heavy metal. Steve Cone's
new album, Distortion, is a true "Army of One" effort. If you're not
sure what I mean by that assessment, just check out the credits for this album:
Lead Vocals: Steve Cone
All guitars: Steve Cone
Drums: Steve Cone
All songs written and recorded by: Steve Cone
Producer: Steve Cone
Admittedly, I didn't expect much when I first put this CD into my stereo. Thoughts
of disjointed songs that don't sound like a true "band" effort went through
my head. Also, I expected that the man would have to be spreading himself too
thin. Could he really handle all songwriting, sing, deliver quality power chords,
riffs, solos, bass, and handle drum duties to a high level? Also, could he really
produce and mix this album to a respectable level? The skeptic in me said that
one man could not handle so many areas at a high enough level. For the most
part, my doubts were quickly dashed when I popped this album into my stereo.
I suppose that many people would have doubts such as mine prior to listening
to an album from a one man band. After all, how long did Tom Scholtz keep his
secret from the world regarding Boston? Aside from Brad Delp (vocals),
Boston was essentially Tom Scoltz. Had that fact been known at the time,
would the debut and Don't Look Back be the classics that they are today?
That's very debatable at the very least. With the power of the internet today,
it is possible to check out sounds samples and read reviews of albums prior
to investing in the album. With that said, it is easier for artists like Steve
Cone to represent themselves at face value and let their music speak for
itself. The music on Distortion certainly does speak for itself in a
positive way. If you like hard edged melodic metal in the old school, 1980's
vein, you should get to know this album.
From the opening track, The Gambler, to the very end, Distortion
is a surprisingly solid and consistent album. The songs are all guitar based,
with a steady offering of power chords and chugging riffs carrying the songs.
As I alluded to above, all the instruments blend together very well, very much
like a band effort. Steve also colors the songs with a tasteful, but not overindulgent
amount of shredding. You'll get a bit of the "guitar hero" feel from the dazzling
guitar work offered on Distortion, but in no way does this facet of the
sound overshadow the songs as a whole. Furthermore, the solos and shreds never
come across as simple, egotistical "showing off." Close attention was obviously
taken to ensure that each of the songs would be able to stand on their own as
a foot stomping, melodic metal anthem. Steve's songwriting is a mature combination
of heaviness and melody. An emphasis is placed on hard hitting guitar work,
with most of the songs featuring heavy riffs and power chords. A few songs vary
from that formula, such as the slow and plodding Alive, the slow but
dark Understand, and the ultra groovy I Have the Right. In any
case, each of the songs incorporates a sense of melody that does not compromise
heaviness or go over the top in terms of sing-a-long chorus lines. Still, each
and every one of the songs on Distortion is catchy in its own rite, and
different from the other tracks. The arrangements vary enough from song to song
such that the album never becomes repetitive or predictable. Also, the rhythm
section (Steve on drums and Steve on bass) does a very commendable job. The
bass keeps up very well with the fluttering lead guitars, providing a solid
bottom end for a well rounded sound. Also, the drumming is varied, but energetic
and very tight throughout the album. This combination provides a very solid
backbone to Distortion's sound.
While I am largely impressed with this album, I'd be remiss not to mention
areas in which I think improvement could be made. Steve has proven his great
abilities with the guitars and drums. Writing a fourteen track album without
any filler is quite a feat too; I have to hand it to Steve as a songwriter as
well. However, I do think Steve'e vocals are the weakest area of his repertoire,
but they are definitely not bad. He reminds me a lot of most NWOBHM vocalists;
serviceable, but not of the same quality as the instrumental performances or
the song arrangements. He has a limited range, and seems to struggle in certain
spots when holding a note for an extended period. There are also spots on the
album in which Steve's delivery sounds thin and too nasal. This isn't a prevailing
theme, but it does bear mentioning. On the positive side, Steve's vocals are
as energetic as his guitar playing. Also, he does a fine job accentuating the
melodic moments of the music with his voice. Steve also harmonizes the vocals
over a significant portion of the album, which masks the aforementioned vocal
shortcomings extremely well. While not nearly the force behind the mic as he
is with the axe or behind the drum kit, Steve is a serviceable vocalist who
makes the most of his vocals, particularly when harmonizing the vocals on this
album. The production on Distortion is a bit rough, but you have to give
a release like this a lot of leeway in this area. I do find the production extremely
good for a self-financed effort. Still, it is obvious that this is not a big
budget release. The guitars are a bit muddy in spots, and the drums aren't as
crisp as I'd like them to be. Again, I feel that Steve did the best job he possible
could with the resources available to him. The mixing is perfect, with no element
of the sound drowned out, or overpowering any other elements. Despite the lack
of crispness, Steve still creates a heavy and powerful sound. As I said, for
a small budget, the production here is more than I ever would have counted on.
All in all, Distortion is a surprisingly strong release from this one
man warrior of heavy metal. If you like old school heavy metal, especially NWOBHM,
you should really visit Steve's website (linked at the top of the review) and
learn more. Give this man a record deal and a bigger recording budget, and I'm
confident that he can bump up the quality of the final product even more!