Dinosaurs
Power Project
- Style
- Classic Heavy Metal / Heavy Rock
- Label
- Powerzone Records
- Year
- 2006
- Reviewed by
- Mike
/ 100
Killing songs: <i>Mind Control, Dinosaurs, War is Over, Zombies</i>
Here's an interesting "supergroup" of sorts. Vocalist Carl Sentance (Krokus,
Geezer Butler Band, etc…), guitarist Carlos Cavazo (Quiet Riot),
bassist Jeff Pilson (Dokken), and drummer Vinnie Appice (Dio,
Black Sabbath) have teamed up to deliver a hard hitting slab of
old school metal. The album title is very appropriate. None of the band members
can exactly be considered youthful, but that doesn't mean they still don't know
how to make some good music. Also as the name would indicate, this album is
very old school in nature. There is no attempt to sound relevant in today's
music scene or any other such nonsense. Dinosaurs is a classic metal
album that is very much an excellent trip back in time.
Musically and sonically, this album sounds like it came from a vault that has
been locked for 2 decades. I don't mean that in a bad way at all. The production
is very much up to today's standards, but it sounds like the band used vintage
equipment to create this album. I could be wrong on that count, but the guitar
tone has a classic feel to it, very similar to the Dio era Black Sabbath
albums. In other words, the band has done a magnificent job in capturing that
special old school sound without sacrificing sound quality in the process.
Continuing what I said above, Dinosaurs certainly carries a strong vibe
of Dio era Black Sabbath and even the first few Dio solo albums.
I'm sure this is no accident considering that Vinne Appice is pounding the skins
on this album. For example, Boats of Despair is strikingly close to Country
Girl (from the Mob Rules album) with its slow, but very deliberate
and hard hitting rhythm. The rhythm section is just stupendous on this album,
with Jeff Pilson dishing out some very effective bass guitar riffs (She Went
Away is a prime example). Jeff gives each of the songs a very solid backbone
with his bass playing, very much showing a Black Sabbath influence in
that regard. If you like the bottom end sound of an album like Heaven and
Hell, I think you'll really enjoy the sonics on Dinosaurs. Vinnie
Appice hasn't lost a beat through the years. He keeps things interesting and
energetic throughout; never becoming predictable or repetitious. As most of
the songs on this album are uptempo (the aforementioned doomy Boats of Despair
and Indian Path being the only real exceptions), his drumming is
extremely reminiscent of Holy Diver and Last in Line, which translates
into two thumbs up in my book. Carlos Cavazo also shines on this album. He lights
up the album with countless solos and shreds that have the prominence and flamboyance
of yesteryear, the kind that are just born to be played live onstage in front
of thousands of head banging metal fanatics. I guess the music of Quiet Riot
never gave Carlos the platform to dazzle like he does on this album. Of course,
the music presented here is a lot more heavy and aggressive than anything Quiet
Riot has done, and I have to say that the man has nailed the part here.
His performance combined with Pilson's very active bass playing makes for a
very impressive guitar attack on this album that never gets old or tired, even
after numerous listens. Vocalist Carl Sentance had a one album stint with Krokus;
1999's Round 13. He has a smooth and melodic, mid to high range voice
that contains elements of Tony Martin and even Robert Plant at times. It's pretty
easy for the well performed music behind him to steal the spotlight, but Carl
deserves credit here too. He is able to add another dimension to the songs with
his very passionate and energetic delivery; and is plenty capable of enhancing
the melodies when needed.
Fans of old school metal shouldn't miss this album; particularly fans of Dio's
solo and Black Sabbath work of the early to mid 1980's. Although nothing
new, Dinosaurs is a outstanding slab of classic 80's metal performed
be well respected veterans of the scene that very much live up their capabilities
here. There is no attempt whatsoever for these guys to follow any of today's
trends or styles. They simply do what they do best, and the end result demonstrates
that they very much have something worthwhile to offer the genre. Hopefully
this isn't just a one and done project.