Destination Set To Nowhere
Vision Divine
- Style
- Progressive Power Metal
- Label
- Earmusic
- Year
- 2012
- Reviewed by
- Olivier
/ 100
Killing songs: <i>The Dream Maker, Beyond the Sun and Far Away, The Ark, The House of the Angels</i>
What was first Olaf Thörsen's (Labyrinth) solo
project and then quickly became a band properly speaking - Vision
Divine - returns with a 7th studio album entitled Destination
Set to Nowhere. Fabio Lione (Rhapsody of Fire) who
returned in the last album 9 Degrees West of the Moon is
once again rallying the sci-fi-themed Progressive Powerfest. Now,
do the guys deliver what is expected of them? The answer is a
straight 'yes'.
I can already hear the backbiters say the title fits perfectly
the ever-present guitar and keyboards wankery in this album, and
they would only be half wrong: while it is true the album displays
a lot of technical and frenetic guitar sections and proggy
keyboards maelströms, they also do make sense. All
instrumental sections (and they are legion...) somehow serve the
storyline and are not too much of a useless distraction, or a
showcase promoting the great musicianship of these boys. I said:
"not too much".
Technique is not everything however, and Vision Divine
knows it. Ballads can be also found here and they will remind a
lot of Dream Theater, perhaps even a bit too much. Lione's
vocals are reasonable, he stays pretty quiet and controlled
throughout the album, never trying to demonstrate über range
extravagance or obscene apnoea skills. Soaring vocals sections are
peaceful, rather spacey, and always pleasant.
A personal special mention would go to the story dealing with a
man searching to escape planet Earth. If nothing spectacular
happens, the voyage itself is actually what pleased me the most in
that album. I'll let you judge, but two thumbs up from me.
Definitely.
But then, what does the album lack? Well, simply put: memorable
moments. Catchier melodies. I remember a time when Lione would go
a bit higher and faster. Oh, he is on top of his form in The
Lighthouse and also tries harsher singing in The House
of the Angels, which is appreciated, but I would not have
minded a bit more grandiloquence here and there. Which precisely
leads me to my conclusion: expect a Progressive Power Metal album
actually much more "Progressive" than "Power", and do not expect
to be utterly speechless and dazzled. The true beauty of this
album is somewhere else... somewhere out in space.