Death Has No Calling Card
Bad Karma
- Style
- Thrash Metal
- Label
- Shadow Kingdom Records
- Year
- 2017
- Reviewed by
- Andy
Killing songs: <i>Shadows of Yesterday</i>, <i>Tame the Beast</i>, <i>Capitol Punishment</i>
As the 80s grows smaller and smaller in time's rearview mirror, bands that were worthy of notice that nonetheless
slipped through the cracks still occasionally come to light. Such a band is Boston's Bad Karma, a Big Four
contemporary that released demos in 1985, 1990, and 1999, but stayed under the radar despite appearances at metal
festivals up to the present day. The demos' re-release by Shadow Kingdom, in the form of a single-album compilation,
showcases all of this material.
Surprisingly, almost every song has aged well, and the production on the demos is similarly good, nearly
studio-quality -- at least for the 80s. Frontman/guitarist Alec Dowie's voice reminds one of Chuck Billy's from early
albums: A rough shout that avoids any of the occasional whininess that James Hetfield's vocals had. The eight-minute
Shadows of Yesterday is especially epic, going far beyond the obligatory introspective ballad track that thrash
metal groups seem to have been legally required to put on all their records, but Tame the Beast also stands out
as a fierce NWOBHM-style thrasher, bearing some resemblance to a Satan song.
The guitar work on the songs is even more impressive when one considers that Dowie is doing some rather demanding
riffing, required of his half of the guitars, with literally one hand tied behind his back. In 1985, a motorcycle
accident permanently disabled his strumming hand, leading him to develop a playing style that used only the left hand.
The band's music, which -- like many minor 80s thrash bands -- at least partially follows Metallica's style
changes over its own career arc -- shows few changes in the showcased demos, with 1990's Capitol Punishment
showing a leaning towards more ambitious songwriting. Nor did the drop in popularity of speed and thrash metal faze the
group. Even at a time when all the major thrash bands had significantly changed their sound, usually for the worse, the
1999 demo shows no change in direction. If anything, Bad Karma's screaming-guitar cover of Alice Cooper's
Billion Dollar Babies shows a band covering 70s hard rock with their original 80s sound, rather than attempting
to adapt to the world of groove, grunge, or -- God forbid -- nu-metal, which was just then getting popular.
Bad Karma still hasn't released anything but their three demos, but since more than one Shadow Kingdom
retrospective has been followed by a new album from a resurrected metal band with a cult following, listeners can still
hold out hope. Until then, Death Has No Calling Card provides a complete introduction to an excellent and
often-overlooked band of the 80s thrash heyday.
Bandcamp: https://shadowkingdomrecords.bandcamp.com/album/death-has-no-calling-card.