Dead Water
Humangod
- Style
- Progressive Metal
- Label
- Self-released
- Year
- 2012
- Reviewed by
- Aleksie
Killing songs: Both of them are real damn nice.
Founded in 2009 by a troupe of players already boiled hard across the Finnish
scene, Humangod has been building their name with a desire to
create “metal music by absorbing progressive elements while maintaining
total freedom of creativity”. However one wishes to interpret that, prog
metal is the name of the game in the classical and very melodic vein that primarily
reminds me of long-term power houses such as Shadow Gallery and
Symphony X.
Listening through their second promo Dead Water, first off one
has to pay attention to the band’s very evident and sizeable ambition. Two
tracks, both clocking slightly above 10 minutes, wham bam thank you ma’m.
The time at hand is not wasted either, as both the title track and Behind
Words feature a dynamic maelstrom of dizzying instrumental chops combined
with a definite knack for riffery, rhythmics and melody. Although the amounts
of notes may on occasion border decency, there’s never an unhinged feeling
of self-serving widdlyness around. I feel that some would disagree with my claims
that this remains tasteful throughout but then sue me. I can really dig the whole
packages from the metallic churning to the soothing acoustic moments and every
quirky trick in between.
On top of the stellar playing, singer Janne Kauppi shows a nifty range from somber
clean vocals to higher wailing. Some may find his tone in the full-force-moments
too nasally or somehow iffy but again, get those legal documents hot for I find
no fault in it. A quality voice that I can’t quickly compare to any renowned
singer is a relative rarity and a delightful one at that.
Based on Dead Water, Humangod is easily ready for a
full-length release. I would love to hear what kind of a set these guys would
assemble if they had for example a 45-60 minute album to work with. All fans of
tha prog’ness are advised to check these guys out, pronto.