Darkspace III
Darkspace
- Style
- Black Metal
- Label
- Avantgarde Music
- Year
- 2008
- Reviewed by
- James
/ 100
Killing songs: Too close to call.
Darkspace have
come to most black metallers attention by being the “other”
band of the sole mind behind Paysage D'Hiver,
Wintherr, here working under the name Wroth. Whereas Paysage
D'Hiver are seemingly
permanently holed up in the Swiss Alps, Darkspace are
prepared to embrace the outside world, having a Myspace and even
(gasp!) playing live. The band are known for their fascination with
deep space, going as far to include samples from various sci-fi films
on their albums. As much as the band's use of alien-like corpsepaint
feels somewhat silly, this record certainly captures a spacey vibe,
though not in that psychedelic way that so-called “space rock”
bands have. No, this is the real deep space, dark, empty, and really
bloody cold.
I admittedly
didn't care much for Darkspace's debut, so what has changed?
Nothing, actually! The drum machine still hammers out a relentless
blastbeat, the guitars still let loose a stream of blazing tremelo
riffs, and the keys still add a symphonic edge to the proceedings.
I'll have to assume that my affinity for this compared to their other
works is simply down to better songwriting, no more, no less. The
chugging riffs scattered intermittently throughout the album make a
nice break from the blasting, and are played with an almost
robot-like precision that makes the band sound like a relentless
slaughtering machine. It's still incredibly long, mind, the band
perhaps not realizing 70-plus minutes of minimalistic black metal is,
to put it mildly, a bit much. But you don't have to listen to the
whole thing in one sitting, of course, and those who want their CDs
stuffed to the gills with music will certainly be pleased.
The vocals are
utterly incomprehensible, often buried in the cosmic chaos. The band
don't print their lyrics, but the themes seem fairly obvious coupled
with the name and cover art. It's down to the occasional sci-fi
samples to add a trace of humanity to the music. I'm not a film buff
in the slightest so I have no idea where the samples come from, but
I'm sure fans of sci-fi will have a blast attempting to spot the
origins of the samples. The spoken word snippets come at you without
warning, often taking the listener by surprise (I was genuinely
convinced I was hearing things at one point). It has the rather nice
effect of sounding like infrequent transmissions from Earth, being
your only human contact, holed up in your spacecraft.
There's little
variation among songs, save for the ambience of Dark 3.15,
so this record must be listened to as a seamless whole. It's
difficult, it's really difficult, but the band have atmosphere in
spades, and for the entire 79-minute duration I feel as if I am
floating in space, lost, alone and helpless. So strap yourself in and
prepare for blast off. You're in for a terrifying yet strangely
compelling voyage through the inky void of deep space.