Condemnation
The Jasser Arafats
- Style
- Death/Thrash Metal
- Label
- Violent Journey Records
- Year
- 2010
- Reviewed by
- Aleksie
/ 100
Killing songs: Condemnation, Empty Horizon, Gun=Life, Diseased, Checkmate & Axis Reborn
Before you start wondering, no, this here isn’t the latest musical regiment
representing the Palestinian People’s Front or even the People’s Front
of Palestine. The Jasser Arafats is a Finnish band, formed in
2007 and now coming out with their debut album in fairly impressive fashion. I
can only make uneducated guesses that the band's name is rooted in the peculiar
and possibly inebriated. Bare in mind as well though that the song material itself does not veer towards the humorous or comedic in any way.
You want neck-breaking speed, slaying riffs aplenty, airtight playing from
the band throughout, melodic moments in modesty, solos being thrown out occasionally and modestly in favour
of even more riffs? The more you tilted towards the affirmative on these accounts,
the more likely you are to adore this disc. Cuts like the title track, Checkmate
and Axis Reborn show a psychotic lack of remorse to the listener’s
endurance with their devotedly trashing assault. Singer J. Kurki’s consistently
guttural roar takes the mood firmly into death metallic territories and the
band’s feet are even more steadily planted on death metallic grounds with
the numerous, let’s say, Six Feet Underish groove parts
as found on tracks like Empty Horizon and Gun=Life.
Whereas the relentless pounding is something that these guys seem to excel
at, the slight moments of variation don’t do quite as well. The clean
guitars in the middle of Ritual of Justice just feel clumsy and out
of place and the clean guitars that open Alone seem…weird, recalling
System Of A Down of all bands before going into a much more
standard death metal grind. Speaking of grinding, that is the first adjective
I get when thinking about the production, especially the guitar sounds. This
is some commendably heavy stuff – absolutely brutal in the guitar department.
At times it can even leave the fastest riffs a bit muddy, but doesn’t
hamper the energy too much. Thankfully the other instruments keep up in the
mix so that the balance doesn’t suffer too much.
Overall, Condemnation shows a band with fierce abilities in their
best areas and the ambition to broaden their output beyond said areas. While
not a masterpiece or overtly original, this album proves that The Jasser Arafats is a serious
prospect for fans of death and trash metal. With ammunition like this on their
debut, the clichéd sky seems to be the limit.