Clash of the Gods
Grave Digger
- Style
- Heavy Metal
- Label
- Napalm Records
- Year
- 2012
- Reviewed by
- Olivier
/ 100
Killing songs: <i>Death Angel and The Grave Digger, Home at Last, Walls of Sorrow, God of Terror</i>
Heavy Metal German veterans return with a 16th studio album, Clash
of the Gods. The first one was released near 30 years ago
now, and with the years we have learned how to quickly tell a good
from a below average Grave Digger album: by counting the
number of what feels to be filler tracks. Good news is, there are
few - if any - in this album. Bad news is: the good tracks are not
sufficient to make it a top-tier Grave Digger album. Tunes
of War, Knights of the Cross, Excalibur, Rheingold are all
far superior efforts. If it is still worthwhile for the fans,
though? Oh, yes. Most definitely.
Since their change of direction with The Reaper (1993),
this band has always proposed the exact same formula for half
their songs. A generic verse backed by a loud rhythm guitar,
followed by a tension-builder bridge coupled with a beat/tempo
variation, leading to a cathartic nuclear explosion of a chorus,
often repetitive as hell and with extreme emphasis on the last
vowel. Come to mind for instance the most famous of them all, Excalibur
of course, but also Mordred's Song, The Dark of the Sun, Liar,
The Reaper, The Grave Digger... and oh-so-many others. Well,
this album is no exception and features several songs structured
in that (old and rusty) fashion: God of Terror is the main
example, but is very efficient nonetheless and might be great
fist-pumping material live. But also the so-so Medusa, or
the slow-paced Call of the Sirens, whose opening riff is
basically the chorus melody in The Dark of the Sun (this
won't be the first time Grave Digger rips itself off,
let's be honest).
Two other highlights are Walls of Sorrow, a song
recalling a lot Lionheart (and to some extent Morgane
La Fay), in the sense that the chorus is smoothly sung and
not harshly yelled contrary to the rest the song. Unfortunately,
this song is no Lionheart... though its ending is powerful
enough. And the second highlight would be Home at Last,
the last and one of the best tracks of the album, thanks to its
utterly infectious chorus which is meant to be sung arm in arm and
shoulder to shoulder! To be honest the song itself is empty and
only the chorus salvages it. But hey, who cares.
All in all what we have here is a more than decent, regular Grave
Digger effort, which has its highs and lows. If you are a
fan, no problem, this album waits for you, hurry. If you are new
to the band, definitely start with Excalibur or Rheingold
instead of this one. They will be much better starting points.