Calm Before The Storm
Lauren Harris
- Style
- Pop Rock
- Label
- DR2
- Year
- 2008
- Reviewed by
- Pete
/ 100
Goat:
Killing songs: <i>Steal Your Fire</i>
I always try and get a second opinion on albums that stink just in case it's just myself
being closed minded and subjective. Thankfully my second opinion agreed that Lauren
Harris' debut album Calm Before The Storm is a pretty dreadful attempt at creating
exciting modern rock. For those not in the know, Lauren Harris is the daughter of Iron
Maiden's Steve Harris, and if story has it, she was spotted in 2005 by legendary producer
Russ Ballard who didn't know who she was. And it's who she is that gets her regular opening
slots on Iron Maiden world tours and their top producer to twiddle his knobs in the stuido.
My opinion is, good for her. The music business is difficult enough as it is, but if you can
get a foot up, no matter how high, then I think you should take it. The fact that her debut
album is as weak as American tea (and yes, I've tasted it), has nothing to do with it.
Of course it is who she is that has thousands of fans giving her the time of day another
singer wouldn't normally receive. It wasn't as if I was expecting to hear her giving a
souring rendition of Aces High or Hallowed Be Thy Name, but I was expecting
something with a little more grit and balls than this. Opening your debut album with a cover
is never a good start because it speaks volumes about the original material (one of 3 covers
on this album). Lauren does give Gun's Steal Your Fire a good stab, and is the best
tune on this disc by some way. As soon as that resurrected gem is over we're into the
original material. If you're not an angst filled teenager angry at mummy and daddy for not
letting you stay out until 10pm, then you'll be hiding behind your fingers in embarrassment
occasionally peering your fingers to find out which track you're on.
My second opinion summed it up as 'pop music heavied up slightly' and I think this hits
the proverbial nail on the head. This isn't rock music, it's pop with guitars ala McFly and
all the other half assed pseudo rock shite that pollutes our airwaves and makes lots of cash
for people in suits in boardrooms. Apart from the weediness of the music, which is like a
diluted version of Avril Lavigne having a pillow fight with The Donnas, the lyrics are an
equal embarrassment. For example;
"You said you like me but when you met her, she's was perfectly sweet and you liked her
better, she's was of that, and you let us know it, but she's holding something back and she's
gonna blow it."
And
"You've gone way too far and you're in too deep, thinking you're a star, dunno how you
sleep, you'd better get ready, better run for the door."
And
She's either hit and miss, but she's got it right, protected by her innocence, she's
out of sight...
They reek of a 14 year-old girl scribbling lyrics in the back of her school books. They
make The Donnas sound like they're singing something prophetic, which is saying something.
However, not every album is without merit. From The Bottom To The Top is an indication
of the potential of Lauren Harris. Her deep voice suits this dark mellow tune rather
than the saccharin filled girl-meets-boy utter bollocks of tracks such as Get Over It
and Your Turn.
Her voice is an interesting talking point. On the whole she proves she can sing, but
that's where it ends. Her voice isn't exactly powerful, nor characteristic, and singing songs
such as Come On Over and Hit Or Miss doesn't really suit her. I get the feeling
that Lauren could wow the world by dropping the teenage shite in her music and
incorporating a darker (not necessarily heavier) element to her music. I just don't think she
cuts it as a pop/rock singer.
Even with everything seemingly on a plate, top producers, mixers, musicians, writers,
Calm Before The Storm is a huge disappointment. The phrase 'could've done better'
springs to mind. But she seems to be gaining a legion of fans who like where she's coming
from so who am I to say? I guess I'm too old to understand, I just worry that there's an
unpolished gem here that'll go undiscovered because critics are blindingly lauding praise
upon her because of who she is rather than listening to the music she and her band are
producing. As much as I love Iron Maiden I can't offer the same to this album not matter how
hard I try.