Angel Witch
Angel Witch
- Style
- NWOBHM
- Label
- Sanctuary
- Year
- 1980
- Reviewed by
- Olivier
Killing songs: Except maybe <i>Gorgon</i>, they all are.
Iron Maiden legend Steve Harris himself once
admitted in an interview Angel Witch was his favourite
band, back in the days. That it had been a band with great
potential, and that one of the main reasons it never met his own
band's success was amateurish management (frontman Kevin
Heybourne's father occupied the manager position at the time).
Whether this is a truth or not matters little. What's important
is, the band has only released four studio albums in thirty years,
and that is one of the greatest shames in metal history. The three
more recent being, moreover, nowhere near matching the masterpiece
the self-titled first album is.
It kicks off with what can arguably be considered "The"
NWOBHM anthem. Angel Witch is the song everybody has
heard, often without even knowing the band. For it probably is the
most accessible NWOBHM song ever made, or at the very least one of
the most accessible. It has everything: a killer main riff, an
outrageously simple and joy-bringing chorus, it's perfect to be
introduced to the genre and it's a perfect live show song.
However, it would take you to be a fool to reduce Angel Witch's
self-titled album to Angel Witch's self-titled track.
This, is just the hors d'oeuvre. Atlantis, a song about
the impending rise of the mythical underwater city, ravishes you
with rather loud and unchained guitar riffs and a threatening
atmosphere. Confused is for that matter another great song
in the same vein, only sightly slower-paced. But the gloomiest
track really would be Sorceress, here. It starts with the
same kind of eerie touch you find in the first minute of Iron
Maiden's Remember Tomorrow, suddenly mixed with a Black
Sabbath reminiscent loud doom flow. And then, from out of
nowhere... madness. Heybourne yells, guys step up the pace a
notch, guitars storm all over the place and let an organ finish
you off, leaving a taste of insanity in your mouth. Jaw-dropping,
and brilliant.
But less disturbing pieces are also featuring in this classic.
The third track White Witch - another classic of the band
-, deals with a revenge-seeking witch. The guitar here often
sounds thinner, and somehow manages to make you picture this white
witch and the occurring events. Sweet Danger, another
track meant to be a single (but which only could reach top 75 of
UK charts for a single week, before disappearing) is
quicker-paced, lighthearted and succeeds in throwing your fists up
the air. It leads to Free Man, a deliciously bittersweet
ballad. While there is nothing groundbreaking in this one - even
for its time -, it features a very powerful chorus that makes your
hands clench into fists. It is as I said: deliciously bittersweet.
And then finally the last song appears (Angel of Death),
just before the outro Devil's Tower. Angel of Death
is easily the most threatening, dark and heavy song on this album.
It constantly alternates between a menacing riff which would be a
perfect fit for an old school horror film, and a more reassuring
riff which gives you a false sense of safety. Yet another touch of
utter excellence in this album.
Angel Witch is the album everybody knows, or should
know. Another hint on why this album is a classic is the number of
times it was re-issued. In 1990, Roadrunner Records re-issues it
and includes 3 bonus tracks (Loser, Suffer and Dr.
Phibes, three nice additions, especially Dr. Phibes).
The 2000 re-issue (Castle Records) included 16 tracks (the
original 10, the 3 bonus tracks from the 1990 re-issue, and 3
more: Flight Nineteen, Baphomet and Hades Paradise.
Again, those 3 good songs). The "25th anniversary expanded
edition" (2005, Castle Records again at the time, but Sanctuary
nowadays) adds to the deal radio sessions of Sweet Danger,
Angel of Death, Extermination Day and of course, Angel
Witch. And, last but not least, the 30th anniversary edition
(2010, Sanctuary) is a 2-CD release including a total of 30 songs
(the original ten, plus demos, live versions and B-sides). How
'bout that...
So whoever you are, a nostalgic or a newcomer... it's up to you
to be in for a treat.
You're an Angel Witch, you're an Angel Witch!
(Youtube)