Anatomy Of Life
Noumena
- Style
- Folky, Melodic Death Metal
- Label
- Spikefarm Records
- Year
- 2006
- Reviewed by
- Aleksie
/ 100
Killing songs: Burden Of Solacement, Retrospection, Monument Of Pain, Triumph And Loss, Through The Element & Fire And Water
On their third and latest offering, Noumena found their niche
and blasted a glorious slab of melodic metal fused with death vocals and mounds
of folk elements. Antti Haapanen still has the gut checked with full force as
the growls spew forth in a mighty, deep fashion. Hanna Leinonen is still aboard
providing the smooth, powerful clean vocals that mix in beautifully with the gutturals.
Tuomas Tuominen is at hand on few of the tracks to bring a softer male side as
well. The countering colours of these voices still work extremely well together.
The music has become slightly more epic and anthemic from the previous release,
Absence. The brilliant production supports this notion as even the
drums are at full blast – literally. The still evident vibes of older
Amorphis are there in the moodier, slower tunes but there is
more of the modern, speedy bashing reminiscent of the Swedish melodeath greats
of the 90s. The leads and harmonies continue a catchy path and the down-pounding
riffs have more weight in them. However, the melodies form packages that have
become increasingly more complex and demanding of repeated listens to open up
entirely. I hesitate to call it progressive touches, but the song structures
are more thought-out and tighter.
The need for more fast tracks was heard loud and clear as Retrospection
and Triumph And Loss (my favourite off the album) roll on with head-on
attitude. On the other side we have the mid-tempo grinders like Monument
Of Pain and Through The Element, that mix in mellow, melancholic
moments that jerk out tears almost as well as the best Evergrey-ballads.
The closing track Fire And Water flirts with some doomy, dragging riffage
that actually works out great.
Anatomy Of Life finds Noumena fulfilling their potential to a certain
degree, which should be highly enjoyable for anyone into some folky metal with
several vocal stylings in use. I do not think for a second that the band has
used up all of their innovations, so I will still hold out points for the future,
when hopefully the speedy injections are even more frequent and the choruses
slightly hookier.