Am Nodr
Urskumug
- Style
- Folkish Black Metal
- Label
- Ledo Takas Records
- Year
- 2006
- Reviewed by
- Aleksie
/ 100
Killing songs: Talking As A Shaman's Son, Moth Of Halfworld
Latvian metal makes a breakthrough into my ears with Urskumug,
one of the most inspiredly titled bands I’ve found in a long time. The omniscient
forces of Wikipedia tell us that this is a name which represents the primordial
mythago and the earliest stage of the so-called human character, depicted as a
bear/boar-like creature, half-animal and half-human, in a cycle of mythopoetical
fantasy fiction novels, written by the English author Robert Holdstock.
This mythical theme is evident in the music and poetry Urskumug
put forth. It is largely pure Immortal-worship with trebling riffs and blast
beats aplenty. Vocalist Krauklis does a mean Abbath-impersonation, sounding
damn near perfectly similar to the Norwegian master of unholy BM-promo pictures.
Some death-smelling growls are added to the mix in places, but the vocals are
mostly throated speech. The band plays tightly throughout and pulls off some
nice riffs, especially when the tempos allow them to play beyond tremoloed notes.
The spices that Urskumug uses for some variety come from the
folk genre. Talking As A Shaman’s Son and the title track have
a slight Finntroll-feel to them and benefit from a pint of
ale while listening to them. Little tribal percussion moments and speech samples
of ancient chanting make the band’s picture a bit more coloured, lifting
this record above the average, plodding black metal-concoction.
The production is good enough for the album to be listenable throughout, although
at times the trebliness of the guitars combined with the tinging drums make
the soundscape messy, drowning out any possible hooks. Of course, we must be
honest here. This type of music isn’t so much about the hooks and I don’t
think I should be looking so badly for such things.
As a whole, Urskumugs’s Am Nodr is an interesting
package of better-than-standard black metal that has the elements on which the
band can really build their own sound. I’d like to see much more of the
tribal, folky moments in favour of the constant blasting. Then we could be talking
of something that would more likely return to my player after this sentence.