Act One. Youth Manifesto
Lunacy
- Style
- Post Metal
- Label
- Sun & Moon Records
- Year
- 2017
- Reviewed by
- Andy
/ 100
Killing songs: <i>Din and Whir</i>, <i>Heralds of the Storm</i>
Despite my deep appreciation of Sun & Moon Records' offerings, somehow I didn't get around to listening to
Bielorussian duo Lunacy when their first LP came out a few years ago. With their second album, Act One. Youth
Manifesto, I've corrected that omission, and now see what I missed out on. Like many of the albums in this label's
catalog, Youth Manifesto is beautifully produced. Combining the darkness of black metal with post-metal stylings
and a hint of folk, the shifts between harsh black metal and ethereal chords remind me Alcest, but with a wider
variety to them.
The tracks are divided between soft female vocals, dark and quiet on the first track, but capable of belting out a
solid tune on further tracks. The guitars get the majority of the mix, playing clipped two-and-three-string chords to
clean vocals and a standard rock beat on the first two tracks, but they veer into black metal territory as soon as the
beats speed up halfway through the appropriately-named Fast, Inspired. It abruptly changes from a female-fronted
rock song that could theoretically make it onto a mainstream radio station to a flurry of speed-picking set to croaked
male vocals, which thereafter perform duets with the original singer. This theme is continued on the even better Din and
Whir, a fast but mostly clean song with undertones of the black metal showing up on the choruses.
The best of the Lunacy sound comes from their masterful use of clean picking; the drums themselves sound like
they might be out of a machine, but the guitar riffs ring and echo through the songs, clearly the stars of the
show. Heralds of the Storm is one of the most atmospheric of the bunch, but As a Fairytale is a close
runner-up, with a hush to it that has even the harsh vocals restrained. The final track is a kind of outro in the form
of piano, with none of the elements of the other songs.
The overall result is an album melodically pretty, but with an undercurrent of strange darkness to it -- not
surprising for a band that claims Angelo Badalamenti as one of its influences. This is a good one for anyone who likes
the darker varieties of post-metal.