Absentia
Blaze of Sorrow
- Style
- Atmospheric/post-black metal
- Label
- Eisenwald
- Year
- 2020
- Reviewed by
- Andy
/ 100
Killing songs: <i>Settimo requiem</i>, <i>Notturna</i>, <i>Cupio dissolvi</i>
Italian ABM outfit Blaze of Sorrow returns with a larger and more aggressive sound than usual, which may be
explained by the fact that the band has expanded to four from the multi-instrumentalist/drummer duo of their last few
albums. It's still got a lot of melody, but compared to the sunlit post-metal strolls of past albums, this is a lot
fiercer stuff -- at least at first.
The first couple of tracks are thick, muscular layers of black metal riffing, with a quick pace for most of their
duration; the band loses some of the delicacy of their previous albums in this approach, but their spare treatment of
melody returns in the next two, with a lead guitar shredding on Sonno d'etrno and a pretty duet between lead and
sometimes-clean rhythm guitar on Notturna, one of my favorites. But the album begins reverting to type in the form of
the band's former sound of a picked melody slathered with post-metal riffing on the side. An Alcest-like ringing
guitar style Peter liked to put on past albums starts creeping in more and more towards the end, and sure enough, one of
his trademark folk-instrumental tracks shows up at the last.
Even with two new members, Blaze of Sorrow's songwriting still has plainly got Peter's mark on pretty much
everything, which is a good thing in my opinion; in a genre full of cold and bleakness, the trademark BoS
combination of warmth, melancholy, and poignant introspection is a standout. Absentia isn't quite as strong
songwriting-wise as Eremita was, but it is a different and heavier facet of the Blaze of Sorrow
sound to appreciate.
Bandcamp: https://blazeofsorrow.bandcamp.com/album/absentia.