A Predator's Portrait
Soilwork
- Style
- Melodic Death Metal
- Label
- Nuclear Blast
- Year
- 2001
- Reviewed by
- Danny
/ 100
Killing songs: <i>Bastard Chain, Shadowchild, Like The Average Stalker</i>
Third record! Delivering almost one record per year, Soilwork, who
has wake up the dead with their first struck (Steelbath Suicide),
who has confirmed their enormous potential with their second record
(The Chainheart Machine), is back with a brand new bombastic
melodic death metal record: A Predator's Portrait.
In Flames influences is even bigger on A Predator's Portrait
and I guess the success of Children Of Bodom has given some additional
ideas to the members of Soilwork (breaks, changing rhythm, melodic solos).
Not far from thrash, always heavy, fast and death metal (aggressive
vocals), Soilwork's music is a magical mixture that reminds me somehow
In Flame's Clayman, but much more aggressive, much more punitive.
Bastard Chain, first song, enters the show and the whole dance
(record) is going to be very good and fast. Bastard Chain is
what heavy/thrash/death is all about: you can almost feel love fighting
hate … or hate fighting love. The melodic guitar solos are simply amazing;
in fact the whole song is very aggressive (thrashy should I say) and
in the same time, this is an excellent demonstration of what is today
melodic death metal. Ah, when melodic death metal is played this way,
no heavy metal bands can compete. None!
Second song, Like The Average Stalker, confirms Soilwork's first
attack, but this time I am thinking of In Flame's Colony. Chorus
is enormous, melodic and vocals effect used here (echo) are perfectly
used, giving another dimension to this death metal record. What a song!
After In Flames and Children Of Bodom, a new monster is born and his
name is Soilwork.
Believe me, Shadowchild (eight song) will wake up many new inspirations.
Imagine Soilwork playing melodic death metal and including gothic, if
not atmospheric feelings, in the middle of the song and in the middle
of the chorus. A kind of In Flames meets Paradise Lost. This song alone
opens a new door in the history of melodic death metal. Magical, simply
magical.
At least this record reinforces a "growing feeling": heavy metal is
changing and these bands (Soilwork, In Flames, Children Of Bodom, The
Haunted, Carnal Forge, The Forsaken, Raise Hell) are the next metal
generation. No doubt about it.
This Predator is damn fast, damn melodic, damn aggressive and damn
perfect. This is the result of the marriage of heaven and hell. A must
for melodic death metal fans out there. Buy or die for the others. Tell
me God, what the hell is happening in Scandinavia since ten years? What
is the secret? Please tell me…