Awards 2020

3 reviewers shared their picks for 2020.

← 2019 2021 →

Alex

Top Albums

1.
10451 — It is good to know some things in the world can be counted on - as in Thy Catafalque staying on top of its game
2.
10512 — My discovery of the year
3.
10506 — Maybe it is how the year 2020 felt for me, but doom, and epic doom, was in vogue in my mind. Next 4 entries reflect that. This is the best Irish export since Primordial
4.
10341
5.
10535
6.
10346
7.
10368 — More gothic, but still doomy
8.
10397 — Professor Black delivers
9.
10484 — Lots of black metal releases listened to this year, but not many was Top 10. This one was a good surprise
10.
10426 — Funeral doom variety
11.
10431 — Solid modern well produced death metal
12.
10510 — From the classic heavy metal genre
13.
10523 — A little lower on the list than I would like to see my favorite Ukrainian atmospheric black metal band, but an enjoyable album nevertheless
14.
10377 — Zak Stevens can still sing
15.
10542 — I just had to

Surprises of the Year

1.
10479 — If you want progressive melodic death metal, this Russian band sizzles
2.
10275 — As a solo project from a famous frontman, this one was interesting
3.
10385 — Lexington, KY, is not only the land of bluegrass and country. Death metal can grow there as well
4.
10420 — I moved this album to the Surprise list, since it is a 2018 re-release
5.
10399 — Venator portion is NWOBHM of 2020

Disappointments

1.
10542 — Because only the best will do, and this was played safe
2.
10526 — I tried & tried, and still couldn't get into it
3.
10513 — Also from Shatraug. I think I need next Sargeist to blow it off the hinges
4.
10488 — Ambient is fine, static is not
5.

Joke of the Year

1.
10404 — And a few years ago I liked this project
2.
10496
3.
10392
4.
5.

Words / Final Thoughts

Goat

Top Albums

1.
10352 — a remarkable deep, dark trip, the Finns have outdone themselves. Madness made aural; the album of 2020!
1.
10352 — a remarkable deep, dark trip, the Finns have outdone themselves. Madness made aural; the album of 2020!
1.
10352 — a remarkable deep, dark trip, the Finns have outdone themselves. Madness made aural; the album of 2020!
1.
10352 — a remarkable deep, dark trip, the Finns have outdone themselves. Madness made aural; the album of 2020!
1.
10352 — a remarkable deep, dark trip, the Finns have outdone themselves. Madness made aural; the album of 2020!
1.
10352 — A remarkable deep, dark trip, the Finns have outdone themselves. Madness made aural; the album of 2020!
1.
10352 — A remarkable deep, dark trip, the Finns have outdone themselves. Madness made aural; the album of 2020!
2.
10502 — Steven Carpenter not believing that the earth is flat can't stop this record from being better on every listen. Remarkable work, the finest mainstream metal album of the year.
2.
10502 — Steven Carpenter not believing that the earth is flat can't stop this record from being better on every listen. Remarkable work, the finest mainstream metal album of the year.
2.
10502 — Steven Carpenter not believing that the earth is flat can't stop this record from being better on every listen. Remarkable work, the finest mainstream metal album of the year.
2.
10502 — Steven Carpenter not believing that the earth is flat can't stop this record from being better on every listen. Remarkable work, the finest mainstream metal album of the year.
2.
10502 — Steven Carpenter not believing that the earth is flat can't stop this record from being better on every listen. Remarkable work, the finest mainstream metal album of the year.
2.
10502 — Steven Carpenter not believing that the earth is flat can't stop this record from being better on every listen. Remarkable work, the finest mainstream metal album of the year.
2.
10502 — Steven Carpenter believing that the earth is flat can't stop this record from being better on every listen. Remarkable work, the finest mainstream metal album of the year.
3.
10279 — Progressive doom takes more steps beyond the gates of infinity thanks to these talented Frenchmen.
3.
10279 — Progressive doom takes more steps beyond the gates of infinity thanks to these talented Frenchmen.
3.
10279 — Progressive doom takes more steps beyond the gates of infinity thanks to these talented Frenchmen.
3.
10279 — Progressive doom takes more steps beyond the gates of infinity thanks to these talented Frenchmen.
3.
10279 — Progressive doom takes more steps beyond the gates of infinity thanks to these talented Frenchmen.
3.
10279 — Progressive doom takes more steps beyond the gates of infinity thanks to these talented Frenchmen.
3.
10279 — Progressive doom takes more steps beyond the gates of infinity thanks to these talented Frenchmen.
4.
10481 — Distilling aural violence as purely and perfectly as a blood-spattered polar bear ripping the guts out of a seal, this jazz-infused death metal is the thrill of nature itself.
4.
10481 — Distilling aural violence as purely and perfectly as a blood-spattered polar bear ripping the guts out of a seal, this jazz-infused death metal is the thrill of nature itself.
4.
10481 — Distilling aural violence as purely and perfectly as a blood-spattered polar bear ripping the guts out of a seal, this jazz-infused death metal is the thrill of nature itself.
4.
10481 — Distilling aural violence as purely and perfectly as a blood-spattered polar bear ripping the guts out of a seal, this jazz-infused death metal is the thrill of nature itself.
4.
10481 — Distilling aural violence as purely and perfectly as a blood-spattered polar bear ripping the guts out of a seal, this jazz-infused death metal is the thrill of nature itself.
4.
10481 — Distilling aural violence as purely and perfectly as a blood-spattered polar bear ripping the guts out of a seal, this jazz-infused death metal is the thrill of nature itself.
4.
10481 — Distilling aural violence as purely and perfectly as a blood-spattered polar bear ripping the guts out of a seal, this jazz-infused death metal is the thrill of nature itself.
5.
10422 — Psych-prog glory. Some moods would have had this at the top instead of Oranssi Pazuzu
5.
10422 — Psych-prog glory. Some moods would have had this at the top instead of Oranssi Pazuzu
5.
10422 — Psych-prog glory. Some moods would have had this at the top instead of Oranssi Pazuzu
5.
10422 — Psych-prog glory. Some moods would have had this at the top instead of Oranssi Pazuzu
5.
10422 — Psych-prog glory. Some moods would have had this at the top instead of Oranssi Pazuzu
5.
10422 — Psych-prog glory. Some moods would have had this at the top instead of Oranssi Pazuzu
5.
10422 — Psych-prog glory. Some moods would have had this at the top instead of Oranssi Pazuzu
6.
10339 — Now this is a reunion worth celebrating, and a fine album. Older, and wiser, and a great addition to a fascinating back catalogue, that I hope to focus on soon.
6.
10339 — Now this is a reunion worth celebrating, and a fine album. Older, and wiser, and a great addition to a fascinating back catalogue, that I hope to focus on soon.
6.
10339 — Now this is a reunion worth celebrating, and a fine album. Older, and wiser, and a great addition to a fascinating back catalogue, that I hope to focus on soon.
6.
10339 — Now this is a reunion worth celebrating, and a fine album. Older, and wiser, and a great addition to a fascinating back catalogue, that I hope to focus on soon.
6.
10339 — Now this is a reunion worth celebrating, and a fine album. Older, and wiser, and a great addition to a fascinating back catalogue, that I hope to focus on soon.
6.
10339 — Now this is a reunion worth celebrating, and a fine album. Older, and wiser, and a great addition to a fascinating back catalogue, that I hope to focus on soon.
6.
10339 — Now this is a reunion worth celebrating, and a fine album. Older, and wiser, and a great addition to a fascinating back catalogue, that I hope to focus on soon.
7.
10384 — The best yet from the reactionary black metallers
7.
10384 — The best yet from the reactionary black metallers
7.
10384 — The best yet from the reactionary black metallers
7.
10384 — The best yet from the reactionary black metallers
7.
10384 — The best yet from the reactionary black metallers
7.
10384 — The best yet from the reactionary black metallers
7.
10384 — The best yet from the reactionary black metallers
8.
10460 — Old dogs, old tricks, but they still sound so good. A lovely album, to be savoured like hot wine on a cold wintry night.
8.
10460 — Old dogs, old tricks, but they still sound so good. A lovely album, to be savoured like hot wine on a cold wintry night.
8.
10460 — Old dogs, old tricks, but they still sound so good. A lovely album, to be savoured like hot wine on a cold wintry night.
8.
10460 — Old dogs, old tricks, but they still sound so good. A lovely album, to be savoured like hot wine on a cold wintry night.
8.
10460 — Old dogs, old tricks, but they still sound so good. A lovely album, to be savoured like hot wine on a cold wintry night.
8.
10460 — Old dogs, old tricks, but they still sound so good. A lovely album, to be savoured like hot wine on a cold wintry night.
8.
10460 — Old dogs, old tricks, but they still sound so good. A lovely album, to be savoured like hot wine on a cold wintry night.
9.
10471 — The grandfathers of grind continue to impress and invigorate even so deep in their career.
9.
10471 — The grandfathers of grind continue to impress and invigorate even so deep in their career.
9.
10471 — The grandfathers of grind continue to impress and invigorate even so deep in their career.
9.
10471 — The grandfathers of grind continue to impress and invigorate even so deep in their career.
9.
10471 — The grandfathers of grind continue to impress and invigorate even so deep in their career.
9.
10471 — The grandfathers of grind continue to impress and invigorate even so deep in their career.
9.
10471 — The grandfathers of grind continue to impress and invigorate even so deep in their career.
10.
10468 — An album that initially repulsed drew me in and in, and I love it. Still very flawed, but there are moments of such all too human beauty that overcome it.
10.
10468 — An album that initially repulsed drew me in and in, and I love it. Still very flawed, but there are moments of such all too human beauty that overcome it.
10.
10468 — An album that initially repulsed drew me in and in, and I love it. Still very flawed, but there are moments of such all too human beauty that overcome it.
10.
10468 — An album that initially repulsed drew me in and in, and I love it. Still very flawed, but there are moments of such all too human beauty that overcome it.
10.
10468 — An album that initially repulsed drew me in and in, and I love it. Still very flawed, but there are moments of such all too human beauty that overcome it.
10.
10468 — An album that initially repulsed drew me in and in, and I love it. Still very flawed, but there are moments of such all too human beauty that overcome it.
10.
10468 — An album that initially repulsed drew me in and in, and I love it. Still very flawed, but there are moments of such all too human beauty that overcome it.
11.
10390 — Yes, it has a song called Mom, I Love You the Wrong Way. And yes, it's ridiculously good regardless (or because of!)
11.
10390 — Yes, it has a song called Mom, I Love You the Wrong Way. And yes, it's ridiculously good regardless (or because of!)
11.
10390 — Yes, it has a song called Mom, I Love You the Wrong Way. And yes, it's ridiculously good regardless (or because of!)
11.
10390 — Yes, it has a song called Mom, I Love You the Wrong Way. And yes, it's ridiculously good regardless (or because of!)
11.
10390 — Yes, it has a song called Mom, I Love You the Wrong Way. And yes, it's ridiculously good regardless (or because of!)
11.
10390 — Yes, it has a song called Mom, I Love You the Wrong Way. And yes, it's ridiculously good regardless (or because of!)
11.
10390 — Yes, it has a song called Mom, I Love You the Wrong Way. And yes, it's ridiculously good regardless (or because of!)
12.
10438 — Not my favourite genre, when all is said and done, but this is the power metal album of the year, with choruses that stay lodged in your head long after listening.
12.
10438 — Not my favourite genre, when all is said and done, but this is the power metal album of the year, with choruses that stay lodged in your head long after listening.
12.
10438 — Not my favourite genre, when all is said and done, but this is the power metal album of the year, with choruses that stay lodged in your head long after listening.
12.
10438 — Not my favourite genre, when all is said and done, but this is the power metal album of the year, with choruses that stay lodged in your head long after listening.
12.
10438 — Not my favourite genre, when all is said and done, but this is the power metal album of the year, with choruses that stay lodged in your head long after listening.
12.
10438 — Not my favourite genre, when all is said and done, but this is the power metal album of the year, with choruses that stay lodged in your head long after listening.
12.
10438 — Not my favourite genre, when all is said and done, but this is the power metal album of the year, with choruses that stay lodged in your head long after listening.
13.
10380 — The doom veterans prove why they're so good. Up your game, My Dying Bride!
13.
10380 — The doom veterans prove why they're so good. Up your game, My Dying Bride!
13.
10380 — The doom veterans prove why they're so good. Up your game, My Dying Bride!
13.
10380 — The doom veterans prove why they're so good. Up your game, My Dying Bride!
13.
10380 — The doom veterans prove why they're so good. Up your game, My Dying Bride!
13.
10380 — The doom veterans prove why they're so good. Up your game, My Dying Bride!
13.
10380 — The doom veterans prove why they're so good. Up your game, My Dying Bride!
14.
10530 — A late entry, but a tremendous one from these consistently great Californians. Redefining Bush-league!
14.
10530 — A late entry, but a tremendous one from these consistently great Californians. Redefining Bush-league!
14.
10530 — A late entry, but a tremendous one from these consistently great Californians. Redefining Bush-league!
14.
10530 — A late entry, but a tremendous one from these consistently great Californians. Redefining Bush-league!
14.
10530 — A late entry, but a tremendous one from these consistently great Californians. Redefining Bush-league!
14.
10530 — A late entry, but a tremendous one from these consistently great Californians. Redefining Bush-league!
14.
10530 — A late entry, but a tremendous one from these consistently great Californians. Redefining Bush-league!
15.
15.
15.
15.
15.
10534 — Another late entry, but rapidly becoming an obsession.
15.
10534 — Another late entry, but rapidly becoming an obsession.
15.
10534 — Another late entry, but rapidly becoming an obsession.

Surprises of the Year

1.
10360
1.
10360 — Esoteric doom done right!
1.
10360 — Esoteric doom done right!
1.
10360 — Esoteric doom done right!
1.
10360 — Esoteric doom done right!
1.
10360 — Esoteric doom done right!
1.
10360 — Esoteric doom done right!
2.
2.
10327 — Literal glitchcore, but not, you know, terrible...
2.
10327 — Literal glitchcore, but not, you know, terrible...
2.
10327 — Literal glitchcore, but not, you know, terrible...
2.
10327 — Literal glitchcore, but not, you know, terrible...
2.
10327 — Literal glitchcore, but not, you know, terrible...
2.
10327 — Literal glitchcore, but not, you know, terrible...
3.
3.
10319 — death metal deliciousness, a name to remember
3.
10319 — death metal deliciousness, a name to remember
3.
10319 — death metal deliciousness, a name to remember
3.
10319 — death metal deliciousness, a name to remember
3.
10319 — Death metal deliciousness, a name to remember
3.
10319 — Death metal deliciousness, a name to remember
4.
4.
10505 — Swedeath insanity. So good.
4.
10505 — Swedeath insanity. So good.
4.
10505 — Swedeath insanity. So good.
4.
10505 — Swedeath insanity. So good.
4.
10505 — Swedeath insanity. So good.
4.
10505 — Swedeath insanity. So good.
5.
5.
10351 — Modern prog done right
5.
10351 — Modern prog done right
5.
10351 — Modern prog done right
5.
10351 — Modern prog done right
5.
10351 — Modern prog done right
5.
10351 — Modern prog done right

Disappointments

1.
1.
10473 — A very rare let-down from a guy who normally can do anything. Let's hope normality returns soon.
1.
10473 — A very rare let-down from a guy who normally can do anything. Let's hope normality returns soon.
1.
10473 — A very rare let-down from a guy who normally can do anything. Let's hope normality returns soon.
1.
10473 — A very rare let-down from a guy who normally can do anything. Let's hope normality returns soon.
1.
10473 — A very rare let-down from a guy who normally can do anything. Let's hope normality returns soon.
1.
10473 — A very rare let-down from a guy who normally can do anything. Let's hope normality returns soon.
2.
2.
10459 — Nowhere near the original. A real missed goal.
2.
10459 — Nowhere near the original. A real missed goal.
2.
10459 — Nowhere near the original. A real missed goal.
2.
10459 — Nowhere near the original. A real missed goal.
2.
10459 — Nowhere near the original. A real missed goal.
2.
10459 — Nowhere near the original. A real missed goal.
3.
3.
10367 — Double-albums can be great. This isn't.
3.
10367 — Double-albums can be great. This isn't.
3.
10367 — Double-albums can be great. This isn't.
3.
10367 — Double-albums can be great. This isn't.
3.
10367 — Double-albums can be great. This isn't.
3.
10367 — Double-albums can be great. This isn't.
4.
4.
4.
4.
4.
4.
4.
5.
5.
5.
5.
5.
5.
5.

Joke of the Year

1.
1.
2020, times 5!
1.
2020, times 5!
1.
2020, times 5!
1.
2020, times 5!
1.
2020, times 5!
1.
The year 2020, times 5!
2.
2.
2.
2.
2.
2.
2.
3.
3.
3.
3.
3.
3.
3.
4.
4.
4.
4.
4.
4.
4.
5.
5.
5.
5.
5.
5.
5.

Words / Final Thoughts

0
0
0
— Although my love for this site and writing in general has waxed and waned over the years, I am truly grateful to have the opportunity to do it at the best of times. And across this past year as the Plague Angels torment us all, it has been a godsend to be able to shut the world out, listen to some tunes, and try and rustle up a few hundred or so words about them. Reviews rarely work as intended, especially in this age of the internet where it's probably simpler and easier to listen to the album yourself than read the likes of me trying to make sense of it. If you're here, if you're reading these words, it's because you share something with me - a deep interest in and love for music in its own right, as an artform, and you enjoy experiencing differing perspectives on it. Bob Dylan, I think, came up with "don't criticise what you don't understand", and few of us involved with this site, if any, can claim that we understand what it takes to write, perform, record, and release even a demo tape, let alone an entire album. We can't appreciate the passion and time and energy that each musician has put into making music even before the Plague Angels and associated lockdowns made it more difficult. All we can do is approach the finished article and judge it on its own merits, with as objective an eye (and ear) as possible, as difficult as that can be. And as Churchill himself pointed out, criticism may not be agreeable, but it is necessary. It calls attention to the development of an unhealthy state of things. And although the great man was perhaps not referring to some jabroni on a website telling melodeath bands that they're using too many keyboards or whatever, if our words can correct a wayward drift, then terrific. Speaking for myself, at least, I am far more interested in building than tearing down, and enjoy relishing in the innards of a good album far more than complaining about a bad one. And even if this all just serves as another way to say "hey dudes, check this radical new release out!" then that's great too, because a pleasure shared is a pleasure doubled. I hope you have had half as much pleasure from reading my, and others', writing in this terrible, no good, very bad year, and I wish you a Merry Christmas and a happy New Year, however you and your loved ones are managing to celebrate the season. May next year see us free of the Plague Angels' shackles, and full of life, love, and happiness. And, duh, kickass metal records. My thanks and eternal comradeship to Alex, Andy and the others; it's been a far better thirteen years than it would have been were I not part of this small but devoted team. RIP – Neil Peart, Sean Malone, Sean Reinert, Ken Hensley, Riley Gale, Frankie Banali, Martin Birch, Bob Kulick
0
— Although my love for this site and writing in general has waxed and waned over the years, I am truly grateful to have the opportunity to do it at the best of times. And across this past year as the Plague Angels torment us all, it has been a godsend to be able to shut the world out, listen to some tunes, and try and rustle up a few hundred or so words about them. Reviews rarely work as intended, especially in this age of the internet where it's probably simpler and easier to listen to the album yourself than read the likes of me trying to make sense of it. If you're here, if you're reading these words, it's because you share something with me - a deep interest in and love for music in its own right, as an artform, and you enjoy experiencing differing perspectives on it. Bob Dylan, I think, came up with "don't criticise what you don't understand", and few of us involved with this site, if any, can claim that we understand what it takes to write, perform, record, and release even a demo tape, let alone an entire album. We can't appreciate the passion and time and energy that each musician has put into making music even before the Plague Angels and associated lockdowns made it more difficult. All we can do is approach the finished article and judge it on its own merits, with as objective an eye (and ear) as possible, as difficult as that can be. And as Churchill himself pointed out, criticism may not be agreeable, but it is necessary. It calls attention to the development of an unhealthy state of things. And although the great man was perhaps not referring to some jabroni on a website telling melodeath bands that they're using too many keyboards or whatever, if our words can correct a wayward drift, then terrific. Speaking for myself, at least, I am far more interested in building than tearing down, and enjoy relishing in the innards of a good album far more than complaining about a bad one. And even if this all just serves as another way to say "hey dudes, check this radical new release out!" then that's great too, because a pleasure shared is a pleasure doubled. I hope you have had half as much pleasure from reading my, and others', writing in this terrible, no good, very bad year, and I wish you a Merry Christmas and a happy New Year, however you and your loved ones are managing to celebrate the season. May next year see us free of the Plague Angels' shackles, and full of life, love, and happiness. And, duh, kickass metal records. My thanks and eternal comradeship to Alex, Andy and the others; it's been a far better thirteen years than it would have been were I not part of this small but devoted team. RIP – Neil Peart, Sean Malone, Sean Reinert, Ken Hensley, Eddie Van Halen, Riley Gale, Frankie Banali, Martin Birch, Bob Kulick, Sean Connery, Hugh Keays-Byrne, Diana Rigg, Chadwick Boseman, Regis Philbin, Ennio Morricone, Carl Reiner, Ian Holm, Fred Willard, Jerry Stiller, Max von Sydow, Little Richard!
0
— Although my love for this site and writing in general has waxed and waned over the years, I am truly grateful to have the opportunity to do it at the best of times. And across this past year as the Plague Angels torment us all, it has been a godsend to be able to shut the world out, listen to some tunes, and try and rustle up a few hundred or so words about them. Reviews rarely work as intended, especially in this age of the internet where it's probably simpler and easier to listen to the album yourself than read the likes of me trying to make sense of it. If you're here, if you're reading these words, it's because you share something with me - a deep interest in and love for music in its own right, as an artform, and you enjoy experiencing differing perspectives on it. Bob Dylan, I think, came up with "don't criticise what you don't understand", and few of us involved with this site, if any, can claim that we understand what it takes to write, perform, record, and release even a demo tape, let alone an entire album. We can't appreciate the passion and time and energy that each musician has put into making music even before the Plague Angels and associated lockdowns made it more difficult. All we can do is approach the finished article and judge it on its own merits, with as objective an eye (and ear) as possible, as difficult as that can be. And as Churchill himself pointed out, criticism may not be agreeable, but it is necessary. It calls attention to the development of an unhealthy state of things. And although the great man was perhaps not referring to some jabroni on a website telling melodeath bands that they're using too many keyboards or whatever, if our words can correct a wayward drift, then terrific. Speaking for myself, at least, I am far more interested in building than tearing down, and enjoy relishing in the innards of a good album far more than complaining about a bad one. And even if this all just serves as another way to say "hey dudes, check this radical new release out!" then that's great too, because a pleasure shared is a pleasure doubled. I hope you have had half as much pleasure from reading my, and others', writing in this terrible, no good, very bad year, and I wish you a Merry Christmas and a happy New Year, however you and your loved ones are managing to celebrate the season. May next year see us free of the Plague Angels' shackles, and full of life, love, and happiness. And, duh, kickass metal records. My thanks and eternal comradeship to Alex, Andy and the others; it's been a far better thirteen years than it would have been were I not part of this small but devoted team. RIP – Neil Peart, Sean Malone, Sean Reinert, Ken Hensley, Eddie Van Halen, Riley Gale, Frankie Banali, Martin Birch, Bob Kulick, Sean Connery, Hugh Keays-Byrne, Diana Rigg, Chadwick Boseman, Regis Philbin, Ennio Morricone, Carl Reiner, Ian Holm, Fred Willard, Jerry Stiller, Max von Sydow, Little Richard!
0
— Although my love for this site and writing in general has waxed and waned over the years, I am truly grateful to have the opportunity to do it at the best of times. And across this past year as the Plague Angels tormented us all, it has been a godsend to be able to shut the world out, listen to some tunes, and try and rustle up a few hundred or so words about them. Reviews rarely work as intended, especially in this age of the internet where it's probably simpler and easier to listen to the album yourself than read the likes of me trying to make sense of it. If you're here, if you're reading these words, it's because you share something with me - a deep interest in and love for music in its own right, as an artform, and you enjoy experiencing differing perspectives on it. Bob Dylan, I think, came up with "don't criticise what you don't understand", and few of us involved with this site, if any, can claim that we understand what it takes to write, perform, record, and release even a demo tape, let alone an entire album. We can't appreciate the passion and time and energy that each musician has put into making music even before the Plague Angels and associated lockdowns made it more difficult. All we can do is approach the finished article and judge it on its own merits, with as objective an eye (and ear) as possible, as difficult as that can be. And as Churchill himself pointed out, criticism may not be agreeable, but it is necessary. It calls attention to the development of an unhealthy state of things. And although the great man was perhaps not referring to some jabroni on a website telling melodeath bands that they're using too many keyboards, if our words can correct a wayward drift, then terrific. Speaking for myself, at least, I am far more interested in building than tearing down, and enjoy relishing in the innards of a good album far more than complaining about a bad one. And even if this all just serves as another way to say "hey dudes, check this radical new release out!" then that's great too, because a pleasure shared is a pleasure doubled. I hope you have had half as much pleasure from reading my, and others', writing in this terrible, horrible, no good, very bad year, and I wish you a Merry Christmas and a happy New Year, however you and your loved ones are managing to celebrate the season. May next year see us free of the Plague Angels' shackles and full of life, love, and happiness. And, duh, kickass metal records. My thanks and eternal comradeship to Alex, Andy and the others; it's been a far better thirteen years than it would have been were I not part of this small but devoted team. RIP – Neil Peart, Sean Malone, Sean Reinert, Ken Hensley, Eddie Van Halen, Riley Gale, Frankie Banali, Martin Birch, Bob Kulick, Sean Connery, Hugh Keays-Byrne, Diana Rigg, Chadwick Boseman, Regis Philbin, Ennio Morricone, Carl Reiner, Ian Holm, Fred Willard, Jerry Stiller, Max von Sydow, and of course, Little Richard!
0
— Although my love for this site and writing in general has waxed and waned over the years, I am truly grateful to have the opportunity to do it at the best of times. And across this past year as the Plague Angels tormented us all, it has been a godsend to be able to shut the world out, listen to some tunes, and try and rustle up a few hundred or so words about them. Reviews rarely work as intended, especially in this age of the internet where it's probably simpler and easier to listen to the album yourself than read the likes of me trying to make sense of it. If you're here, if you're reading these words, it's because you share something with me - a deep interest in and love for music in its own right, as an artform, and you enjoy experiencing differing perspectives on it. Bob Dylan, I think, came up with "don't criticise what you don't understand", and few of us involved with this site, if any, can claim that we understand what it takes to write, perform, record, and release even a demo tape, let alone an entire album. We can't appreciate the passion and time and energy that each musician has put into making music even before the Plague Angels and associated lockdowns made it more difficult. All we can do is approach the finished article and judge it on its own merits, with as objective an eye (and ear) as possible, as difficult as that can be. And as Churchill himself pointed out, criticism may not be agreeable, but it is necessary. It calls attention to the development of an unhealthy state of things. And although the great man was perhaps not referring to some jabroni on a website telling melodeath bands that they're using too many keyboards, if our words can correct a wayward drift, then terrific. Speaking for myself, at least, I am far more interested in building than tearing down, and enjoy relishing in the innards of a good album far more than complaining about a bad one. And even if this all just serves as another way to say "hey dudes, check this radical new release out!" then that's great too, because a pleasure shared is a pleasure doubled. So I hope you have had even half as much pleasure from reading my, and others', writing in this terrible, horrible, no good, very bad year, and I wish you a Merry Christmas and a happy New Year, however you and your loved ones are managing to celebrate the season. May next year see us free of the Plague Angels' shackles and full of life, love, and happiness. And, duh, kickass metal records. My thanks and eternal comradeship to Alex, Andy and the others; it's been a far better thirteen years than it would have been were I not part of this small but devoted team. RIP – Neil Peart, Sean Malone, Sean Reinert, Ken Hensley, Eddie Van Halen, Riley Gale, Frankie Banali, Martin Birch, Bob Kulick, Sean Connery, Hugh Keays-Byrne, Diana Rigg, Chadwick Boseman, Regis Philbin, Ennio Morricone, Carl Reiner, Ian Holm, Fred Willard, Jerry Stiller, Max von Sydow, and of course, Little Richard!

Andy

Top Albums

1.
10514
1.
10514
1.
10514
2.
10387
2.
10387
2.
10387
3.
10371
3.
10371
3.
10535
4.
10321
4.
10321
4.
10371 — Lo, the Masters of the Pit have returned, and chaos descends once again! The first track is worth the whole album, but other gems await.
5.
10421
5.
10421
5.
10321 — Possibly their most ambitious work to date -- and very rewarding.
6.
6.
6.
Iron Savior - Skycrest — They haven't changed a thing, and that's just fine for their listeners -- including me.
7.
7.
7.
10421
8.
8.
8.
9.
9.
9.
10.
10.
10.
11.
11.
11.
12.
12.
12.
13.
13.
13.
14.
14.
14.
15.
15.
15.

Surprises of the Year

1.
10313
1.
10313
1.
10313
2.
2.
10427
2.
10427
3.
3.
3.
10489
4.
4.
4.
5.
5.
5.

Disappointments

Joke of the Year

1.
10288
1.
10288
1.
10288
2.
2.
2.
3.
3.
3.
4.
4.
4.
5.
5.
5.